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April 3, 2007

The Other Side of the Tracks

Marianne Taflinger

by Marianne Taflinger
Intern, The WIP
- USA -



Photograph by Chad Johnson
Dec. 29 - As we approach the new year, we thought it appropriate to revisit our team's thoughts as we prepared to launch The WIP in March 2007. - Ed.

As a child, I was a blond, blue-eyed little girl in a small Southern Indiana town where my father was the itinerant principal of both the elementary school and the middle school. As the principal's child, I was far more visible than I’d ever wanted to be, with over 100 kids informing when “Mr. Taflinger is in the building,” or “Your dad is here,” all day long. On my first day of school, it was my photo that appeared in the newspaper, accepting a textbook from my mother, and it was more likely my father's status of principal, rather than my status as a blond that caused me to be the one chosen over any of the other children in my class.

First grade was an eye-opener to me because my class was about 50% African-American and I had classmates named Dwight Eisenhower Wong, and Tanesha and Keisha, and a host of other names that I remember after all of these years. I’d never seen these kids in my town, not at the swimming pool where my brothers and I spent our summers, not on the streets, not in the parks and not in the drug stores. This was the time before civil rights, and this was a group not seen, let alone heard, by the half of the town where I lived. Once, when leaving town on a car trip, our family sedan drove through their neighborhood that was literally on the other side of the tracks—shoddy, poorly made houses in the vaguely gray and industrial looking section. They were out of sight, out of mind, except at school.

My classmates were fascinated with my soft, blond hair, and would stand behind me, stroking it, so I'd go home every day with my hair greasy from their eager hands. They fought over who got to be behind me when we lined up. And we were always lining up, for the cafeteria, for gym, for whatever. The first graders told me that one angry young boy had a crush on me, and maybe that accounted for why he threw the basketball to hit me, or then again, maybe not. Maybe he had every right to be angry living on the other side of the tracks.

I'm a person who's always been uncomfortable with privileges that I didn't earn and uncomfortable seeing others denied those same privileges by accidents of birth. I've wrestled with these questions my entire life. To me, The WIP is about addressing those questions and shining a light on those areas of town, and areas of life, that are not examined—the unseen and unheard.

To this end, I dedicate my contributions to the African-Americans in my first grade class who changed my world view.

Comments (4)

Very inspiring indeed Marianne.

This early article with its vivid personal example of inequality allowed me to see and hear and to reflect on the issues in a meaningful way. I am just reading Toni Morrison's Sula and marveled that she, who lived with prejudice and all that goes with it, was able to bring forth her works of genius in spite of it. That is a tribute to her; but never do I want to let myself forget that injustice, even when it is turned into gold as it has been by such as Morrison, is a terrible drain on all humanity. Thank you to the WIP for providing many occasions to see and hear and wrestle with these issues.

Marianne, I think this is one of the best, most genuine and moving pieces The WIP has published. It is not about a tragedy, but is nonethelss an absoutely true life experience. And it certainly speaks eloquently as to why you and the rest of the staff have been so committed to making this wonderful concept become a reality. Brava! And thank you.

This personal account brought tears to my eyes and gave me another reason to love, and read, The WIP.

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