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   <id>tag:thewip.net,2012:/contributors//4</id>
   <updated>2012-05-10T20:11:01Z</updated>
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<entry>
   <title>Tolerance Toward Spousal Abuse in Egypt Persists Post Revolution</title>
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   <id>tag:thewip.net,2012:/contributors//4.165277</id>
   
   <published>2012-05-10T19:43:31Z</published>
   <updated>2012-05-10T20:11:01Z</updated>
   
   <summary>by Manar Ammar -Egypt- • Egyptian Women. Photograph by Joseph Mayton and courtesy of Bikyamasr.com. •When Marwa* arrived at the...</summary>
   <author>
      <name>Manar Ammar</name>
      
   </author>
         <category term="The World" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="education" label="Education" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="egypt" label="Egypt" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="rape" label="Rape" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="spousalabuse" label="Spousal Abuse" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="vaw" label="VAW" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="women" label="Women" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Manar Ammar<br />
-<em>Egypt</em>-</p>

<p><br />
<div class="caption" style="width:300px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Egypt%20Women.Joseph%20Mayton.html" onclick="window.open('http://thewip.net/contributors/Egypt%20Women.Joseph%20Mayton.html','popup','width=300,height=199,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Egypt%20Women.Joseph%20Mayton-thumb.jpg" width="300" height="199" alt="" /></a><br /><strong>• </strong>Egyptian Women. Photograph by Joseph Mayton and courtesy of <a href="http://bikyamasr.com/">Bikyamasr.com</a>.<strong> •</strong></a></div>When Marwa* arrived at the hospital, her left arm was dangling beside her body like a lifeless piece of cloth. After examination, the doctors told her that her upper arm was shattered in three spots, and a number of surgeries must follow. The night before, following an argument with her mom, her younger brother interfered with his fist. For over an hour he hit and beat Marwa senselessly. He even threw a chair at her. </p>

<p>“I don’t have full normal movement in my arm, even after three and half years since the fight,” says Marwa. “I still don’t speak to my family, with the exception of my mother, and till this day he never apologized.”</p>

<p>Marwa, an educated middleclass woman, decided to press charges against her brother. Her decision lost her the family’s compassion and made her an outcaste. She had to drop the charges and move out of the family home.  </p>]]>
      <![CDATA[<p>“I never wanted to see my brother in jail, but I wanted him, and others, to know that beating another person is a crime, and just because you are related to them, does not make it any less of a crime,” she adds.</p>

<p>According to the 2001 government conducted survey <em>Egypt: Abused Women Reluctant to Come Forward</em>, 96 percent of women reported their spouse had beaten them at least once. Shockingly, the majority of the women survivors believe that their husbands had “the right” to beat them if they were disobedient or disrespectful. </p>

<p>“We all have family members, friends or acquaintances who have been hit by a father, a brother, or if married, by a husband,” says Kamlah M. Salah, a human rights activist. “Women suffer domestic violence in Egypt. It is not a secret. What is shocking is how tolerant we are towards it.” </p>

<p>Impoverished less-educated women, who are forced to wed at a much younger age than their urban counterparts, are more likely to experience spousal violence. Studies found that gender-based violence is far more widespread among these women. However this is not the rule. Fourteen percent of women who passed junior high said their partner battered them.</p>

<p>According to a 2009 survey by the El Nadim Center for the Management and Rehabilitation of Victims of Violence, conducted on 1,264 women from around the country, 43 percent of women had been beaten by a relative or a spouse and 43 percent had been subjected to verbal and psychological violence and intimidation. Another survey, by the deposed National Women Council of the same year, found an even higher number. Almost 63 percent of the women survivors were battered by a spouse or a relative. What is more shocking is that the survey found four out of five men openly and shamelessly admitted to using violence toward their spouse or a close female family member.</p>

<p>Women rarely report incidents of violence to the police and hospitals. Obliged by the law to conduct an injury report, they often lessen and soften the gravity of the damage inflected on the woman. </p>

<p>Why is it that in a society that considers beating women a taboo, with men flaunting proudly that they “would never lay a finger on a woman,” it is widely accepted and regularly practiced behind closed doors? Men, who admit to using force against their wives or relatives, see it differently. They call it discipline. They see it as granted right to “correct” women’s behavior. When a woman attempts to report an incident of violence committed against her by a relative or a souse, the police treat it very lightly.</p>

<p>According to Magda Adly, director of al-Nadim center, “Police officers and hospitals are accomplices in downplaying incidents of violence against women.” She adds, “Doctors refuse to conduct a full report on time and police attempt to turn it into a family matter that should be resolved internally.” That is why if a woman is being hit in public and someone tries to intervene, the magic words are “she is my sister/wife,” and good Samaritans keep on walking and police turn their head the other way.</p>

<p>Joe, a 28-year-old journalist based in Cairo, recalls a violent encounter. “I saw a young man slapping a woman repeatedly in City Stars mall. I had to intervene and stop the beating. The woman was trying to get away, covering her head and as I approached he stopped to tell me off and said, “‘She is my sister, it is none of your business.’ The beating stopped and they left.” </p>

<p>In 1996, the World Health Assembly declared violence against women to be a major public health problem that urgently needed to be addressed by governments and health organizations. The Egyptian Penal Code (band number 58 of the year 1937) defines any attack on women as crimes. Yet only violence that takes place in public places is punishable by law. Indoor and private violence by a husband or a male relative is considered a family business that should be resolved inside the family home. </p>

<p>Hence, the El Nadim Center drafted a law to criminalize domestic violence, bringing a sliver of hope to battered and abused women. The draft that was put on their website for others to sign and support reads: “This draft law targets the mobilization of societal participation against the phenomenon of domestic violence, break its infernal cycle and save victims crushed by this cycle.” </p>

<p>The draft continues, “Tolerating, justifying, and condoning domestic violence has not stopped at the level of legal denial of incriminating the act, but was also coupled with the standpoint of state institutions and an unsympathetic, indifferent and unsupportive – if not hostile – society toward women victims of violence. Police stations often take a biased attitude against women if they ever attempt to file a complaint regarding the incident of violence. Doctors in hospitals commonly tend to mitigate the effects resulting from violence because – by virtue of their culture and pre-bias- they do not wish to take any measure that would destroy the household.” </p>

<p>Adly explains that the law was in the lower house of parliament in 2010 and was accepted and almost passed when the uprising and mass protests against the regime broke out. The parliament was dissolved and the draft was void. </p>

<p>Although the Egyptian revolution has delivered great hope to many who lacked it, most notably women, very little has changed in their favor. The way that society looks upon women as a second degree individual has not changed - families still favor boys over girls, mothers prefer bringing up a boy over a girl, and girls get roughed up more often. In fact, in post-Mubarak Egypt, women have already lost many granted rights and it seems that we are going back to the starting line. </p>

<p>So, the El Nadim Center is starting all over again. New aspects, like marital rape, that are expected to raise a few eyebrows, have been introduced. The law states a penalty of three to seven years with hard labor for rape of a person, male or female. But marital rape has not even been heard of in Egyptian society. </p>

<p>“No woman will dare go to a police station and report that her husband raped her,” explains Salah. “This is a very sensitive issue as men, and most women, believe that husbands have the right to access their wives bodies at all times, hence the term rape is rejected.” </p>

<p>For Sally al-Hak, media director of the independent Egyptian Women Union, “As a woman, it breaks my heart when I see females get oppressed and beaten and the worse that they don't even know their rights.” </p>

<p>She adds that as a feminist, “I believe that we can do something to stop these crimes through raising awareness on how violence influences the females' psychology and activity, and also, what the state looses…Violence toward women in Egypt cost the state 147 billion in the last 50 years.” </p>

<p>For Marwa, she hopes that she will never have to face a similar situation again, and even though her family ties are partially broken, she says she has formed her own family with loving, protecting friends. “I have to relive the beating every time I try to move my arm, but I have forgiven him. I only wish he understands the ramifications of his action.” </p>

<p>*real name has been changed</p>

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<p><strong>About the Author:<br />
Manar Ammar</strong> is an Egyptian journalist who was born and raised in Cairo. Her work has appeared in the <a href="http://www.thedailynewsegypt.com/index.php"><em>Daily News Egypt</em></a>, <a href="http://www.allheadlinenews.com/"><em>All Headline News</em></a> (AHN), <em>Al Helwa Weekly</em>, <a href="http://womennewsnetwork.net/"><em>Women News Network</em></a> (WNN) and <a href="http://bikyamasr.com/wordpress/"><em>Bikya Masr</em></a>. Manar's writing and reporting focuses on politics and women's issues in the MENA region. </p>]]>
   </content>
</entry>
<entry>
   <title>Female Perspectives on Ending Sexual Violence: Choosing Peace over Fear</title>
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   <id>tag:thewip.net,2012:/contributors//4.164853</id>
   
   <published>2012-05-03T07:01:01Z</published>
   <updated>2012-05-10T20:07:30Z</updated>
   
   <summary>by Stephanie Koehler -USA- The vision of “Female Perspectives on Ending Sexual Violence” is to unite women from all over...</summary>
   <author>
      <name>Stephanie Koehler</name>
      
   </author>
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         <category term="Education" scheme="http://www.sixapart.com/ns/types#category" />
   
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   <category term="education" label="Education" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="missrepresentation" label="Miss Representation" scheme="http://www.sixapart.com/ns/types#tag" />
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   <category term="rainn" label="RAINN" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="rape" label="Rape" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="sexualviolence" label="Sexual Violence" scheme="http://www.sixapart.com/ns/types#tag" />
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      <![CDATA[<p>by Stephanie Koehler<br />
-<em>USA</em>-</p>

<p><br />
<em>The vision of “Female Perspectives on Ending Sexual Violence” is to unite women from all over the world to document the pain they suffer as a result of sexual violence and the healing approach they have taken to grow from victim to survivor. Each installment will include photography of a female survivor and provide a platform to tell her story. Stephanie’s vision is to grow this project into an international sexual assault awareness campaign.</em></p>

<p>Brandi and I met at her home after several prior conversations about my project. She agreed to be the first participant in this series of photo-journalistic accounts. </p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Brandi_1.html" onclick="window.open('http://thewip.net/contributors/Brandi_1.html','popup','width=325,height=218,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Brandi_1-thumb.jpg" width="325" height="218" alt="" /></a><em><br /><strong>• </strong>Brandi with her affirmation "Each Day I Choose Peace Over Fear" in the project Female Perspectives on Ending Sexual Violence. Photograph by Stephanie Koehler.</em><strong> •</strong></a></div>Brandi and her sister had been sexually molested from the age of 5 to 14 by their stepfather. In those years they endured countless molestations, unaware that the assault was also happening to the other sister. In their teenage years, their stepfather divorced their mother. After the divorce, Brandi and her sister lost contact with their stepfather who completely abandoned them. Though the man did sexually violate them, he had also served as their role model and father figure. Both the violations and the separation caused a lot of stress and strain on Brandi.

<p>To understand sexual violence it is important to recognize that survivors have their own personal reactions and healing process depending on their life experiences and personalities. However, what strikes me are the commonalities in the effect of sexual violence. The <a href="http://www.rainn.org/">Rape, Abuse & Incest National Network</a> (RAINN) lists many of the reactions adult survivors of childhood sexual abuse have to cope with including difficulties in setting boundaries and grieving and mourning the loss of childhood experiences. In our conversation, Brandi tells me, “[My father] loved me. At least I thought he did.”</p>

<p>According to RAINN, another commonality is feelings of guilt for not stopping the assault. “Guilt was a big thing,” Brandi recounts. For many years, she burdened herself with thoughts such as, “We could have done something to prevent it.” Silence also leads to feelings of shame and as Brandi recalls, “I was disgusted. It grossed me out that this was my father.” </p>

<p>Blame that survivors often inflict on themselves is another well-known reaction. Brandi, too believed “If I hadn’t done this or that, [the assault] wouldn’t have happened.” </p>

<p>Brandi recalls that since she grew up with the assaults, it was all she knew. “[The realization] came as a teenager. Then I knew this was not normal. I remember thinking ‘This is gross. Other dads don’t do that.’” She never talked about it with friends thinking, “'How will they look at me? They’ll tell their parents’…It was a huge, huge secret that I held on to.” </p>

<p>At age 17 Brandi met her husband and their first daughter was born when she was 19. Brandi feared similar things would happen to her daughter. It was then that she sought counseling to deal with her childhood experiences.  </p>

<p>As Brandi states, “How I am today has evolved…[The healing] happened in stages.” Five years into her marriage Brandi shared with her husband what had happened in her childhood. Only several years ago, now in her mid-thirties, did she confront her mother and spoke with her sister for the first time about their shared experiences. Her mother showed no emotional reaction and said she had not known of the assaults. Even after giving her examples of situations in the past, her mother failed to acknowledge what had happened. Brandi felt this was the only way for her mother to cope with it. “She was unable to admit that she had screwed up and couldn’t protect her children,” Brandi believes. </p>

<p>When asked what Brandi thought needed to be done to raise awareness, she clearly voiced the need for education on all levels. “We need to address [sexual violence] and tackle it strong.” She later adds, “Women need to stop hiding behind all of their guilt and shame and whatever feelings are keeping them from talking about it and just talk about it…It becomes normal and then people are more aware.” </p>

<p>Brandi suggests that prevention is to be taught from an early age and parental education is crucial. She feels schools and colleges ought to have mandatory sexual violence prevention education in their curriculum. Brandi feels: “To make it not so taboo, if you talk about it and have so much awareness…and get past the thinking of it being dirty.”</p>

<p>While community organizations such as crisis centers, victim advocacy groups, and law enforcement agencies do offer educational programs, many more are needed and must be publicized more widely to the general public. </p>

<p>Brandi also emphasizes making men part of the solution. “They need to educate their sons to be more respectful toward women; and they need to instill in them that ‘No’ means ‘No’ no matter the circumstances.”</p>

<p>We both agreed the hyper-sexualization and objectification of women in the media is a huge problem. As the recent documentary <em><a href="http://www.missrepresentation.org/">Miss Representation</a></em> reflects, women are undermined and the hyper-masculinity of men in our society makes it difficult for men to respond to both women’s needs with more sensitivity and embrace their own femininity. Cultural differences also need to be addressed and taken into account. </p>

<p>Statistics compiled by RAINN estimate that 54 percent of rapes and sexual assaults are not reported. The numbers are frightening. Out of every 100 rapes only 46 get reported to the police. Furthermore, only 12 will lead to an arrest, only nine will be prosecuted, only five will lead to a felony conviction, and only three rapists will spend even a day in prison. </p>

<p>Brandi did not report for various reasons – the social stigma, the statute of limitations, and to protect her family, among others. “It happened so long ago, who is going to believe me?” she recalls. However, a few years ago she did something very courageous. As part of her healing, she wrote a letter to her perpetrator and expressed the frustrations and anger she had held inside for so long. “I called him every name I can think of, wished him death…I wanted him to know that I am a better person and I didn’t let what he did to me ruin me.” I applaud her on this and believe that in cases where the survivor decides against reporting, voicing the assault in such a way is liberating and can be an important part of the healing process. </p>

<p>Brandi hopes that by participating in this project and by sharing her experience women will be encouraged to speak about sexual violence and realize that they are not alone. “When asked I always admit that it happened to me. I feel one should always talk about it.” Talking with other women was reaffirming and gave her renewed strength. In retrospect, Brandi says, “[The assault] just made me a very strong person.” She feels that sexual violence is a universal experience, even more reason to address it strongly. </p>

<p>I suggested that it is wise to embrace the assault as part of one’s life rather than trying to cut it out of one’s memory. Brandi agrees: “I don’t think you should cut it out. I had to learn to live a good life knowing my father molested me for so many years.” </p>

<p>Brandi’s affirmation is a beautiful reflection of how she processed her experiences and how she lives today. She has been happily married for 18 years and has three beautiful daughters. She states: “I value family, loyalty, and honesty.” Since she grew up with so much dishonestly, Brandi especially encourages her daughters to be open and honest with her and her husband. She says: “I value respecting yourself. You have to respect your body and your space as a woman” and emphasizes that “you need to life by your values.” </p>

<p align=center><a href="http://thewip.net/contributors/Brandi_2.html" onclick="window.open('http://thewip.net/contributors/Brandi_2.html','popup','width=550,height=368,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Brandi_2-thumb.jpg" width="550" height="368" alt="" /></a></p>

<p>I was inspired by photographer Melissa Woodrow and David Parker who had written rape statistics on models’ bodies for a local performance of Eve Ensler’s <em>The Vagina Monologues</em>. I invited Brandi to think about a word or phrase she can use as an affirmation. Although sexual violence does leave a scar, I believe women can find wholeness despite of it, and transform that experience to serve as role models for others.</p>

<p>As a society we have to take responsibility to help facilitate prevention education and to make it accessible to all. At the same time, we have to provide a support system to those who have experienced sexual violence as it does affect survivors on a cellular level and is a severe emotional, physical, and spiritual violation.</p>

<p>I encourage women and men alike to speak up and to inspire others to do the same. One by one can we motivate and activate social change and make a conscious shift in our cultural mindset. Then, we can hope that each one of us will take on the responsibility to live a more conscious life in which women and men are treated equally.</p>

<p>It is my belief that participating in this project will result in a sense of unity not only with other survivors, but also with the audience at large. Worldwide inquiries are welcome. Participation is voluntary and the scope of each photo shoot and interview to be determined with each participant to ensure women’s boundaries are honored and respected. To participate in this project or for more information, please contact me at <a href="mailto:femaleperspectives@gmail.com">femaleperspectives@gmail.com</a>. </p>

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<p><strong>About the Author:<br />
Stephanie Koehler</strong> is journalist and photographer residing in California; she also advocates for a local Rape Crisis Center. Born and raised in Germany, she earned her Master’s Degree in Linguistics from Bergische Universitaet & Gesamthochschule Wuppertal, Germany. Some of her photography can be seen at <a href="http://www.heartfilledproductions.com">Heart-Filled Productions</a>.</p>]]>
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</entry>
<entry>
   <title>India Surges Towards An Education Democracy</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/04/india_surges_towards_an_educat.html" />
   <id>tag:thewip.net,2012:/contributors//4.164374</id>
   
   <published>2012-04-27T16:04:58Z</published>
   <updated>2012-05-03T17:30:16Z</updated>
   
   <summary>by Priyanka Bhardwaj -India- Every afternoon 8-year-old Raj Kumar and his younger sibling trudge along the ten kilometer expanse of...</summary>
   <author>
      <name>Priyanka Bhardwaj</name>
      
   </author>
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         <category term="Education" scheme="http://www.sixapart.com/ns/types#category" />
   
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   <category term="education" label="Education" scheme="http://www.sixapart.com/ns/types#tag" />
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   <category term="india" label="India" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Priyanka Bhardwaj<br />
-<em>India</em>-</p>

<p><br />
Every afternoon 8-year-old Raj Kumar and his younger sibling trudge along the ten kilometer expanse of Golf Course Road to take free classes at a school ensconced in a posh pocket of Gurgaon in the Indian state of Haryana. The zeal of their car-washer parents to conquer their poor living conditions has led them to push their children to get an education despite the hardship forsaking the extra income two sets of helping hands would have earned. </p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Minister%20Sibal.html" onclick="window.open('http://thewip.net/contributors/Minister%20Sibal.html','popup','width=325,height=211,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Minister%20Sibal-thumb.jpg" width="325" height="211" alt="" /></a><br /><strong>• </strong>Minister Kapil Sibal taken at the World Economic Forum Annual Meeting Davos 2009. Photograph by Flickr user <a href="http://www.flickr.com/photos/worldeconomicforum/">World Economic Forum</a> and used under a <a href="http://creativecommons.org/licenses/by-sa/2.0/deed.en">Creative Commons</a> license.<strong>•</strong></a></div>Unfortunately, in a still struggling nation, many underprivileged children are not so lucky. Despite India’s commitment to free and compulsory education between the ages of six and 14, for the 28 million child laborers and 22 million disabled children populating 640 districts, education still is a luxury.

<p>The Supreme Court recently passed a judgment to uphold constitutional validity of ‘Right of Children to Free and Compulsory Education’ Act (RTE) that directs government, local authorities, and private schools to reserve 25 percent of their seats preschool/Class I for disadvantaged children every year. Clarifying the central government’s stance, Union Human Resource Development Minister Kapil Sibal wrote to provincial educational ministries, “The RTE Act is an opportunity to break gender, caste, class and community barriers that threaten to damage the social fabric of our democracy and create fissures that could be ruinous to the country.” The RTE Act is expected to act as an affirmative action and social integration tool to increase diversification and to enrich the social landscape of education environments. </p>

<p>As minister Sibal states, “It’s undeniable that this means a major transformation for private schools. It is true that transformation does not take place on demand. Recognizing the difficulties involved in making the change, the act has adopted a ‘gradualist’ approach, and provides for admission of children from weaker sections at entry stage only.” </p>

<p>The RTE Act provides for an autonomous body, the National Commission for Protection of Child Rights (NCPCR), to monitor the implementation of the Act. It has conducted social audits to assess progress and has found problems in school standards, infrastructure, teacher recruitment, training, and accountability among others. The NCPCR recommends harmonizing the 'Child Labor (Prohibition and Regulation) Act 1986’ and the 'National Child Program’ with the RTE Act banning corporal punishment, instituting a grievance redressal mechanism, and improving the accountability of schools to the provincial and central governments. Unfortunately the NCPCR division suffers from adequate powers to resolve complaints. It is on record that it could settle just 100 of 1,761 complaints received from April 2011 to 2012. </p>

<p>Another issue regarding the implementation of the Act concerns financing. The ratio of central and provincial responsibilities has been 65 percent and 35 percent respectively. Experts point out a difference between recommended financial requirements and actual allotted outlays.</p>

<p>A case study by the Center for Policy Research of 146 schools in Maharashtra’s Satara district demonstrates drawbacks in implementation of the Act. While provincial elementary education budget and allocations per child rose, infrastructure targets remain unattained. Zilla Parishad (the local self-governing body) education officers cite lack of awareness among school authorities about money transfers into their bank accounts as a chief reason. </p>

<p>The deadline of March 31, 2013 set for achieving RTE targets seems unattainable as one takes a look at schools’ RTE achievements. Indicators listed in the 2011 Annual Status of Education Report (ASER), show that only 54.1 percent of the schools constructed boundary walls, 62.6 percent put in playgrounds, 49.1 percent have usable toilets, and less than 43.8 percent have a separate girls’ toilet. In 2011 just 6.1 percent of schools had disability-friendly toilets. </p>

<p>Nationally only 59.3 percent of the schools were able to accomplish teacher-student ratio goals of 2:60 for Classes I to V and 1:35 for Classes VI to VIII. According to Rampal Singh, President of All India Primary Teachers’ Federation, most schools have one teacher for every 80 students. </p>

<p>Vinod Raina, member of the Central Advisory Board of Education and an architect of the Act, explains, “There has been a shortfall of 1.2 million teachers and this will have to be taken care of through recruitment and redeployment. The PTR or pupil teacher ratio has to be maintained as an average for a school and not for a district. It has been seen that schools close to roads and towns have more teachers than those in interior areas.” <br />
 <br />
In rural and poorly aided schools it is common to see students drawing a blank for subject questions that they should have been able to answer with ease. When asked to read from a book, Mahesh Gujjar, a Class V student of Nathupur Primary School, struggles with every letter and meaning. Barring a handful of his classmates none were able to solve simple addition and subtraction problems. </p>

<p>As eminent scientist and founder of the Center for Cellular and Molecular Biology, Hyderabad, PM Bhargava notes, “It hurts when we come to learn that not a single provision of RTE Act has been implemented after nearly two years of its enactment. We need to follow common school system where rich and poor get education under the same roof without any discrimination…We have to improve and change the higher education scenario and technology used in primary education…[and] bolster spending in education to nearly 6 percent of GDP.”</p>

<p>Yet the prospect of poor children sharing classes with those from wealthier middle class families that pride themselves in sending their wards to elite schools raises heckles in ‘money-driven-gated’ communities. Despite being products of an egalitarian public school system, this hugely aspirational population is hostile to the new judgment. Some parents fret over possible hikes in school fees, rise in competition for admissions, and scaling down of ‘excellence’ due to the “invasion of kids from 'not-so-smart-homes.’” A mother working as a top consultant in a transnational firm confides, “I shiver at the habits my toddlers would acquire if they were to study in same class with my chauffeur’s children.” </p>

<p>To such tirades, Vinod Raina retorts, “To put the onus of systemic differences on children’s inherent abilities is educationally and socially wrong. Differences in learning are due to differential opportunities, socio-cultural environment, and home support going by extensive research and practices in educationally advanced countries.”</p>

<p>Shyama Chona, former principal of Delhi Public School, RPK Puram, states, “The Supreme Court too has upheld the provision and now that provision of RTE is beyond debate. When I was principal I always reserved seats for poor students and the integration went off well.”</p>

<p>Not all parents are dismissive of the Act. As Dr. Anjali Mitra, young mother of a Class 2 student said, “It will be a challenge to teach students from a diverse set of backgrounds. It depends on the schools if they are able to maintain quality in teaching and do not raise fees. I am happy that my child will attain a well-adjusted personality growing up among children from different cross-sections. And in a divided society like ours, who but the government can enforce such changes.” </p>

<p>Parents’ associations fear that schools may resort to raising fees of non-RTE students to compensate for RTE students. And Chairman of Euro International Group of Schools, Satyavir Yadav concedes, “We are waiting for the government to issue a notification and announce its contribution. Otherwise our schools will be compelled to revise the fees.”</p>

<p>But when District education officer of Gurgaon, Manoj Kaushik was contacted he said, “We have been extending all the support to the private schools and will continue to do so. All private schools will have to implement the court order.”</p>

<p>Surely the opening of minds will have to accompany forcing open the doors of schools, but the central government’s role in leading private-individual-public initiatives and contributions to plug the gap in access to primary education is the most crucial element for change. For once government’s earnest intentions in taking on this big challenge is clear and well reflected in Minister Sibal’s exhortations, “I believe that the RTE Act is visionary in its objective and scope, and if understood and implemented in the right spirit by government authorities, school managements and all the other stakeholders, could well become a model for the world to emulate.”</p>

<p>Vikas, a daily wage laborer at the Gurgaon metro corridor, has an extremely pertinent question: “What will happen after my son passes Class VIII? Will the government still fund his education?” Notwithstanding some surmountable shortcomings that can be sorted out in due time the Act promises genuine opportunities for real change.</p>

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<p><strong>ABOUT THE AUTHOR</strong><BR>Priyanka Bhardwaj is an independent journalist and risk analyst based in Gurgaon/New Delhi, India covers diverse issues related to the Indian subcontinent. Her work has been published in <em>Asia Sentinel</em>, <em>Opinion Asia</em>, <em>Siliconeer Magazine</em>, <em>Asia Times</em>, and <em>Business Times</em> (Singapore) among others. Her area of interest spans marginalized social strata, women, children and climate change. Fluent in more than 8 Indian languages, Priyanka is writing a book about her travels and experiences on the Indian subcontinent. <br />
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   </content>
</entry>
<entry>
   <title>VIP Falcon Health Care in the United Arab Emirates</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/04/vip_falcon_health_care_in_the.html" />
   <id>tag:thewip.net,2012:/contributors//4.164090</id>
   
   <published>2012-04-24T15:06:26Z</published>
   <updated>2012-04-27T16:53:29Z</updated>
   
   <summary>by Victoria Aitken -UK- Ever heard of a hospital which is an international tourist attraction recommended by guidebooks and airlines?...</summary>
   <author>
      <name>Victoria Aitken</name>
      
   </author>
         <category term="Science" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="abudhabi" label="Abu Dhabi" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="falcons" label="Falcons" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="medicine" label="Medicine" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="science" label="Science" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="uae" label="UAE" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Victoria Aitken<br />
-<em>UK</em>-</p>

<p><br />
Ever heard of a hospital which is an international tourist attraction recommended by guidebooks and airlines? Where state of the art medical technology is virtually limitless? And whose patients are all VIPs yet never complain? Welcome to Abu Dhabi Falcon Hospital in the United Arab Emirates. A guided tour tells you all about these beloved birds and the dedication and achievements of award winning veterinarian Dr. Margit Gabriele Muller. </p>]]>
      <![CDATA[<div class="caption" style="width:299px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Falcon%203.html" onclick="window.open('http://thewip.net/contributors/Falcon%203.html','popup','width=299,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Falcon%203-thumb.jpg" width="299" height="325" alt="" /></a><br /><strong>• </strong>Falcon waiting room at the Abu Dhabi Falcon Hospital in the United Arab Emirates. Photograph courtesy of the author.<strong> •</strong></a></div>To understand the hospital in its true perspective, you need to know that the falcon is the national bird and patriotic emblem of Abu Dhabi. This desert sheikhdom, now the world’s eighth largest oil producer, is proud of its Bedouin roots and the Bedouins adore their falcons. These birds of prey are to a tribal Abu Dhabian what a dog is to a countrified Englishman – a friend, fellow sportsman, hunter, travelling companion and best buddy. So when one of these prized and pricey birds falls ill, only the very best of medical treatment will do.

<p>Since the days of the Knights of the Round Table, falcons have had their place in England’s folklore, heraldry, and royal hunts of the sun. But falconry was never a people’s sport or a national obsession the way it is today in the Arabian Gulf. If King Arthur had a bird that was not flying high enough or swooping fast enough, he would have probably wrung its neck. Sheikh Zayed, the founding father of the United Arab Emirates, built a hospital for his ailing falcons near his favorite oasis of Al Ain - a showpiece of medical excellence rising in the sand dunes as a symbol of the caring relationship between top Bedouins and their top birds.</p>

<p>Twelve years ago the Falcon Hospital of Abu Dhabi was opened both as a treatment and research centre. Over 6,000 birds a year use its operating theatres, anesthetics, digital x-rays, incubators, endoscopy, ophthalmology, and general medical facilities under the supervision of 35 veterinary specialists. The result has been a revolution in falcon heath care.</p>

<div class="caption" style="width:244px; float:left;" ><a href="http://thewip.net/contributors/Falcon%202.html" onclick="window.open('http://thewip.net/contributors/Falcon%202.html','popup','width=244,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Falcon%202-thumb.jpg" width="244" height="325" alt="" /></a><br /><strong>• </strong>Dr. Margit Gabriele Muller, Director Abu Dhabi Falcon Hospital, holding a falcon passport. Photograph courtesy of the author.<strong> •</strong></a></div>As hospital director Dr. Muller explains “We have an Endoscopy – it’s an advanced diagnostic tool so we can follow up on any diseased birds. We have digital x-ray machine, laser for surgery [and] ophthalmology equipment for eyes. In the intensive care [we have] incubators for critically ill falcons…We also have lab technology…for all virus, bacteria, and we also have a genes lab.”

<p>The hospital uses the anesthetic Isoflorent, the same drug used for humans. According to Dr. Muller, “we catch the bird, put head of bird in a mask – and the gas, mixed with oxygen is then put into the mask…and then bird inhales it and in a minute the bird is fully asleep…When a procedure is finished we just switch off anesthetic…and the bird can wake up very fast.”</p>

<p>Emirati families with Bedouin roots have falcons as pets. How to bring up a falcon is passed on from generation to generation. Normally a father takes his son to the desert for training. They use a lure, which looks like a duck and the falcons try to hunt it. For Emiratis, falcons are part of the family, loved like a son or daughter. As Dr. Muller explains “the family connection to the falcon is extremely strong, they really love their birds, and do every thing for them.” </p>

<p>Falcons are prone to special diseases, particularly the Aspergillosis virus and parasites. They contract these diseases when the prey is sick or has as a bacterial infection and also from food that has gone sour. Most common injuries occur during the hunting seasons when the birds fly into obstacles or hit the ground without breaking. The hospital gets many leg and wing fractures. </p>

<p>Dr. Muller stresses that with “routine examinations I can detect diseases early and just give pills. It works well and saves on the cost of healthcare. If problems are left to the last minute, it can be expensive.”</p>

<div class="caption" style="width:263px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Falcon1.html" onclick="window.open('http://thewip.net/contributors/Falcon1.html','popup','width=263,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Falcon1-thumb.jpg" width="263" height="325" alt="" /></a><br /><strong>• </strong>Emirati man with Bedouin roots holding his pet falcon at the Abu Dhabi Falcon Hospital. Photograph courtesy of the author.<strong> •</strong></a></div>Falcons have the finest eyes in the animal kingdom. They need extraordinary ophthalmology equipment and treatment when their sight fails. They need high-tech manicures, not for luxury but as a matter of survival, for an overgrown beak or claws can cause starvation.  Additionally, Falcons sometimes need refeathering because when a bird is missing feathers it cannot land well. The vet explains “for those higher up feathers needing replacement we use bamboo sticks as it’s a light material and elastic. We cut a bamboo stick, put it in and select a replacement feather and stick it on the bamboo, and then glue all of the bamboo in the original feather part fragment to the wing. That replacement will stay one year. After one year… the bird will molt, and then a new feather will grow completely.”

<p>The outpatient department of the hospital is where the 21st century meets the 11th century. For at least a millennium, Bedouin tribesmen have been handling their falcon with traditional methods.</p>

<p>Walking into the high tech hospital after driving through miles of dusty desert was an amazing experience. Owners sat with hooded birds on their arms in the waiting room. Falcons are kept in hoods because when kept in the same place they look at each other as prey. The birds sat patiently on their perches waiting to be seen by the experts. </p>

<p>During a trip to the falcon hospital, not only do you see the latest in modern technology, you also learn about the history of falconry and the need for falcon passports. Falcons are trained in the UAE’s desert but if you want to go hunting, then you have to take your birds to Kazakhstan or to Pakistan which requires a falcon passport. If an owner forgets his bird’s passport, the bird is confiscated at the airport. Every time a bird travels it also needs to have a health certificate. </p>

<p>One of the main jobs of the falcon hospital is to inspect birds on their way in and the way out of the country. On average each bird comes to the falcon hospital about 3-4 times a year. The hospital’s busiest time is during hunting season and on one day can see up to 100 falcons.</p>

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<p><strong>About the author:<br />
Victoria Aitken</strong> has been published in The Sunday Times, Style Magazine, The Daily Mail, Tatler, The Daily Telegraph, and The Guardian. She was born in Lausanne, Switzerland, educated in Germany, Switzerland, and Washington, D.C, where she earned a B.A. in international relations from Georgetown University.</p>]]>
   </content>
</entry>
<entry>
   <title>Advocacy Tours Transform Local Development Issues into Tourist Spectacles </title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/04/advocacy_tours_transform_local.html" />
   <id>tag:thewip.net,2012:/contributors//4.162935</id>
   
   <published>2012-04-13T07:01:01Z</published>
   <updated>2012-04-24T15:50:33Z</updated>
   
   <summary>by Katie Palmer -Canada- Recently I partnered with a colleague from OneChild, a children’s rights organization, to travel throughout Cambodia,...</summary>
   <author>
      <name>Katie Palmer</name>
      
   </author>
         <category term="Economy" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="advocacytours" label="Advocacy Tours" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="development" label="Development" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="economy" label="Economy" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="globalsouth" label="Global South" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="tourism" label="Tourism" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="travel" label="Travel" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Katie Palmer<br />
-<em>Canada</em>-</p>

<p><br />
Recently I partnered with a colleague from OneChild, a children’s rights organization, to travel throughout Cambodia, Laos, and Thailand for several weeks to investigate prevalent social issues affecting children and youth in the region. Such issues include child sex tourism, absolute poverty, largely inaccessible primary and elementary education, and health problems arising from large populations inhabiting informal housing districts. In order to gain the most from our exposure trip, we partnered alongside a number of hosting organizations. </p>

<p>One similarity among the varied hosting organizations was the implementation of “advocacy tours.” Geared towards both foreign tourists and wealthier local citizens, advocacy tours (sometimes referred to as “poverty tours” or “poverty tourism”) provide opportunities for participants to understand a variety of social and economic issues common in the Global South.</p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/AdvocacyTours_Palmer.html" onclick="window.open('http://thewip.net/contributors/AdvocacyTours_Palmer.html','popup','width=325,height=206,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/AdvocacyTours_Palmer-thumb.jpg" width="325" height="206" alt="" /></a><br /><strong>• </strong>Photograph of two girls asking for money from tourists at the killing fields in Phnom Penh, Cambodia. Photograph courtesy of<a href="http://erikputzphoto.com"> Erik Putz</a>.<strong> •</strong></a></div>My initial reaction to advocacy tours was one of keen interest. Many NGOs, whether located in the Global North or Global South, are underfunded and must constantly brainstorm innovative ways to generate funds in order to support their projects. Without doubt, advocacy tours fit the criteria of creativity and it is interesting to note the rise in tourist-oriented companies that offer poverty tours in countries such as India, Kenya, Rwanda, and Brazil. 

<p>While my purpose is not to argue that the NGOs or companies that implement advocacy tours uphold purely capitalist intentions, it is important to think critically about how such tours fall short of promoting sustainable development practices. First, however, I would like to describe the contributions that advocacy tours have the potential to make. </p>

<p>Advocacy tours can play important roles in stimulating local job creation, generating funds to help marginalized populations, and drawing attention to pertinent social issues.</p>

<p>In terms of job creation, NGOs and the tourism companies require human personnel to carry out the research and development components of the tours. Advocacy tours require the services of drivers, tour guides, and translators. Indirectly, advocacy tours have the potential to create the demand for products for tourists to buy, such as handicrafts and jewelry, created and sold by resourceful local entrepreneurs. </p>

<p>By local standards, advocacy tours are rather expensive. Riverkids, a non-profit organization in Phnom Penh, Cambodia charges each participant 80 USD for a full-day tour. Revenue from the tours, including the ones implemented by Riverkids, not only support local job creation, but also channel into projects established to support the marginalized individuals who are put on display during the tours. These projects include vocational training and education programs and rehabilitation centers. For example, the Brazilian company Favela Tours regularly donates money to Para Ti, a non-profit organization that helps socioeconomically disadvantaged children and youth who live in the <em>favelas</em> (“slums”) of Rio de Janeiro. </p>

<p>In addition to revenue coming in from the sales of advocacy walks, participants often also donate directly to the hosting NGO.  Florence Chea, Volunteer and Project Manager of Riverkids Cambodia, tells me, “While we don’t have a percentile breakdown of how much money comes from donor participants, I can tell you that more than a third of those who join our advocacy tours do provide Riverkids with additional financial support. This money really helps us carry out our important work to help empower child labourers by enabling them to attend school programs.” </p>

<div class="caption" style="width:217px; float:left;" ><a href="http://thewip.net/contributors/AdvocacyTours3_Palmer.html" onclick="window.open('http://thewip.net/contributors/AdvocacyTours3_Palmer.html','popup','width=217,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/AdvocacyTours3_Palmer-thumb.jpg" width="217" height="325" alt="" /></a><br /><strong>• </strong>Photograph of an elderly woman taken on the island of Don Det in Laos, close to the border of Cambodia. Photograph courtesy of<a href="http://erikputzphoto.com"> Erik Putz</a></a> <strong> •</strong></a></div>Advocacy tours also provide innumerable teachable moments. The participants of the tours gain insight (although perhaps superficial) into some of the social and economic issues that the majority of the world’s population experiences on a daily basis. 

<p>Vancouverite Jessica Flerver tells me, “I traveled to Mumbai in 2011 with a group of friends just for a fun cultural experience. One afternoon we decided to participate in a tour of the shantytowns. We just thought it would be cool. We didn’t expect that it would be so incredibly eye opening. I had never witnessed poverty like that before. It was so heart-wrenching that my friends and I decided to deviate from our pre-planned itinerary and volunteer at an orphanage for a few days.”</p>

<p>Urban traveler Indrawan Prabaharyaka also shares how advocacy tours provide opportunities to debunk some of the prevailing myths of slum life, “It [advocacy tours] eases the spatial association of slum as a crime spot. It is the chance of affluent citizens to feel the warmth of the slum.”</p>

<p>Despite the potential merits of advocacy tours, there are three main shortcomings that demand attention. It is because of these shortcomings that I had originally decided back in 2010 against participating in the advocacy tours organized by NGOs in Southeast Asia. </p>

<p>At the macro level, advocacy tours do not challenge the structural inequalities that force children and youth to prematurely drop out of school and engage in potentially dangerous income generating activities, such as waste picking and sex tourism. In fact, advocacy tours can create systems of dependency, whereby some locals come to economically rely on the benevolent NGOs that operate such tours as well as on the good-doing tourists who participate in the tours. </p>

<p>Geographer Hilary Ferguson argues, “Ideally, tourists should avoid giving monetary handouts to the impoverished children who occupy tourist-laden spaces. As heartbreaking as it is to see youngsters milling around desperately begging tourists for a few coins, those who do give street children money oftentimes unintentionally end up supporting systems of exploitation. For example, their parents may send them out begging to supplement household income, having them miss school to do so...If you do feel the need to provide the children with some token, as I often do, make it useful to them – a pencil or pen. Be educated in your kindness, so that it helps rather than harms.”</p>

<p>At the institutional level, advocacy tours can reinforce problematic and exploitative power relations. Who gives NGOs and companies the right to sell tours that turn real, complex spaces into living museums for travelers? It is important to understand advocacy tours in relation to the nuanced and ongoing histories of colonialism. Such tours can transform poverty and child exploitation into tourist spectacles; and in that process, hierarchies of power differences are not challenged, but rather are maintained. </p>

<p>At the individual level, the issue of consent often is not attended to in a thoughtful, well-supported manner. Some tourists from the Global North feel entitled to engage in poverty tourism and automatically assume that their participation is what the locals need to escape poverty. David Fennell, an expert on ethical tourism, writes, “Maybe you give 1 or 2 or 3 or 4 percent of the profit back to the community, but you’ve now commodified these people, you’ve turned them into a product in the service of an industry. I’m not sure that’s ethical… We feel we have the right to go anywhere we want on the planet…If you put your money down, you have a right to go." </p>

<p>This line of entitled thinking is dangerous because it does not accommodate critical questions regarding informed consent and collaboration. </p>

<p>Finally, advocacy tours reinforce the troublesome shift to privatized development. There is an increasing overreliance on private citizens, mostly those coming from wealthier countries, to provide financial aid to support international development projects. This is problematic largely because privatized development gives a small fraction of persons, who are largely detached from the issues facing the majority of the world’s population, the power to decide the flows of monetary aid. </p>

<p>While a mix of altruism and curiosity propel both privileged tourists and locals to sign up for advocacy tours, do the shortcomings of advocacy tours seemingly outweigh the benefits? Should ethically conscious tourists engage in advocacy tours? There is no easy or single answer by any means. Each individual must choose what he or she deems appropriate in context-specific situations. </p>

<p>As an attempt to ensure that as tourists we do not consume the real living spaces in the Global South for merely voyeuristic pleasures, I have developed a brief list of best practices. </p>

<p>First, evaluate why you want to participate in the advocacy tour. Keep your motives in check. Is it realistic to expect that this tour will change your life? Are there other ways to understand the local community that do not necessarily turn people into objects to be consumed by the privileged tourist? If not, be sure to reflect on what you are learning throughout the duration of the tour. Marcelo Armstrong of Favela Tours also advises tourists to restrict their use of photography, particularly in the residents’ houses, as one way to demonstrate respect for the locals. </p>

<p>Second, develop ways to give back to the local community. Can you give your time to the hosting organization for a couple of days or weeks during your trip abroad? Alternatively, could you provide financial support to the NGO? How can you support the initiatives of the hosting organization throughout the year once you are back in your own neighbourhood? </p>

<p>And third, brainstorm how you can raise awareness in your home community about what you learned while on the advocacy tour. Can you give a presentation to a local Rotary International chapter in your hometown? Will you share what you have learned with friends, family members, and colleagues? </p>

<p>By following these guidelines, hopefully we can minimize the shortcomings of advocacy tours, maximize the teachable moments, and provide needed financial support to NGOs. </p>

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<p><strong>Katie Palmer</strong> was born and raised in Toronto, Canada. She recently earned a graduate degree in Geography from the University of Toronto. She earned her bachelor's degree in geography and gender studies also from the University of Toronto. In her spare time, she volunteered at ECPAT-Philippines - an anti-trafficking NGO that provides rehabilitation and residential services to girl survivors of trafficking and forced prostitution.<br />
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   </content>
</entry>
<entry>
   <title>Empowering Pakistani Women through Education and Family Planning</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/04/empowering_pakistani_women_thr.html" />
   <id>tag:thewip.net,2012:/contributors//4.162063</id>
   
   <published>2012-04-04T01:39:00Z</published>
   <updated>2012-04-13T03:09:53Z</updated>
   
   <summary>by Zubeida Mustafa -Pakistan- Empowerment is opening up new spaces for personal development for women in Pakistan. As opportunities for...</summary>
   <author>
      <name>Zubeida Mustafa</name>
      
   </author>
         <category term="Education" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="contraception" label="Contraception" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="empowerment" label="Empowerment" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="familyplanning" label="Family Planning" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="pakistan" label="Pakistan" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="reproductiverights" label="Reproductive Rights" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="women" label="Women" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="womensrights" label="Women&apos;s Rights" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Zubeida Mustafa<br />
<em>-Pakistan-</em></p>

<p><br />
Empowerment is opening up new spaces for personal development for women in Pakistan. As opportunities for education come within their reach women are learning how to upgrade their lives. This has brought the realization that a big family may not be a blessing, and can actually handicap women. This is a big leap from where women were a few years ago, when motherhood was widely regarded as a status symbol. The more male children women had the more respect they could command. Sons brought a sense of security as they consolidated a woman’s position in the household and ensured that a second wife would not displace her.  </p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/mustafa_safespace.html" onclick="window.open('http://thewip.net/contributors/mustafa_safespace.html','popup','width=325,height=200,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/mustafa_safespace-thumb.png" width="325" height="200" alt="" /></a><br /><strong>• </strong>A happy family: Zahoora with husband Rahib Ali and three children at their ‘Safe Space’. Photograph courtesy of the <a href="http://www.irc-pakistan.com/">Indus Resource Centre</a>.<strong> •</strong></a></div>As women become empowered through education and work, some are opting for small families.

<p>Take the case of Zahoora who lives in Kumb, a small town in rural Sindh. She is 28 years old and has three children who were born in quick succession. For Zahoora her two daughters and a son means her family is complete. She loves her children and enjoys taking care of them. Since she is educated and her husband is supportive, she also works and adds to the family income. Zahoora is a teacher in the neighborhood school. </p>

<p>A few months ago Zahoora became anxious. Her experience told her that without contraception, soon another baby would be on its way. Zahoora did not want any more children for she knew that four would make her life difficult and she would have to leave her job. She had also been ill after the birth of her second child. </p>

<p>Zahoora typifies what demographers describe as the phenomenon of women not wanting more children but not being contraceptive users. In Pakistan 25 percent of married women - six million women - fall in this category.</p>

<p>Zahoora learned that a team from the Reproductive Health through Girls’ Education (RHGE) of the <a href="http://thewip.net/contributors/2010/11/what_the_future_holds_for_floo.html">Indus Resource Centre</a> (IRC) would be talking to women about family planning in Kumb. It sounded interesting and Zahoora’s curiosity was aroused. She went to the meeting and returned home with new ideas in her head. They made a lot of sense and she felt inclined to agree with what had been discussed. </p>

<p>Once Zahoora was convinced about contraception and family planning, she had the confidence to talk to her husband, Rahib Ali. He was a man of commonsense and understood her perspective. The next day Zahoora went to the population clinic in Kumb with Ali; and after some counseling, they made their choice of the contraceptive with which they felt most comfortable. They joined the 30 percent of couples in the country who use contraceptives. </p>

<p>NGOs like the IRC have discovered that it pays more to combine reproductive health education with other social activities. Though there is a lot of awareness about family planning today, Moomal Soomro, the project officer of RHGE and a trained population counselor, points out no program can succeed without counseling and mobilization. Regrettably that has generally not been available. The population growth rate that had declined to 1.5 percent is now said to be a higher rate of 2.05 percent. </p>

<p>Soomro speaks of the changes she has seen in the three years since the RHGE program was launched. IRC began twelve years ago as a project for female education, poverty alleviation, improved maternal health, and environmental sustainability. The ultimate aim was to bring about sustained behavioral change in marginalized communities. But it was soon realized that no change was possible without the empowerment of women whose role was typically subservient in a patriarchal society. </p>

<p>To encourage behavioral change, “We then knew that we had to adopt a holistic and integrated strategy,” Soomro says.  That is how the component of reproductive health was added to female education at the secondary level. The subjects covered are sex related topics of interest to adolescents - hygiene, marriage, human rights, and sexually transmitted diseases. While the pedagogy is participatory and discussion-based, it is discreet as being too candid would not have gone well with Pakistan’s conservative society. </p>

<p>The IRC has established a network of its school's alumnae with other female members of the community. Dubbed the Young Women’s Professional Network, they conduct frequent sessions with women. “It was at one of these sessions that Zahoora was introduced to us,” Soomro explains.</p>

<p>The network serves as an institution where women interact with one another, enter into business partnerships, run projects, share ideas, and provide support to one another. Information and services on reproductive health are a part of the agenda.</p>

<p>Five members of the network have offered their homes to set up what are called “safe spaces.” These homes are provided with books, a white board, registers, and some stationery. Awareness raising meetings are held on a regular basis and women are trained to plan and organize the meetings, keep records, draw up agendas, and so on.  Having established linkages with other community groups they are expected to become focal points for women and exert a strong influence on the community. </p>

<p>Sadiqa Salahuddin, the managing director of IRC, can already see the changes that are emerging. “Previously many girls were married off as early as eight years of age. The marriage age has gone up by several years. Many girls who have been betrothed continue to live with their parents who appreciate the support they get from their girls.”</p>

<p>There is no measure to gauge the confidence the young women gain as they take control of their lives. And while their confidence is palpable, it is also clear that no family planning program can succeed without an improvement in the status of women. By addressing all facets of life, the RHGE is giving women a new sense of self-esteem that is making change possible. </p>

<p>Zahoora was educated but knew nothing about birth control. An unwanted pregnancy would have nullified all her achievements.  It was her education that gave her the negotiating skills to persuade her husband that family planning would change their life. She is an agent of change and every individual in her family will be expected to play the same role.     </p>

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<p><strong>ABOUT THE AUTHOR:</strong><br />
<strong>Zubeida Mustafa</strong> is a senior journalist and former assistant editor at <em>Dawn</em>, Pakistan's most widely circulated English language daily newspaper. She writes a weekly column for the paper focusing on social issues, including education, health, and women. </p>]]>
   </content>
</entry>
<entry>
   <title>Dowry Rising Among Muslims in Kashmir</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/03/dowry_rising_among_muslims_in.html" />
   <id>tag:thewip.net,2012:/contributors//4.161764</id>
   
   <published>2012-03-30T23:07:42Z</published>
   <updated>2012-04-04T15:19:11Z</updated>
   
   <summary>by Nusrat Ara -Indian-administered Kashmir- Shazia Akhtar and her family have been preparing for months for her wedding. The family...</summary>
   <author>
      <name>Nusrat Ara</name>
      
   </author>
         <category term="The World" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="domesticviolence" label="Domestic Violence" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="dowry" label="Dowry" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="kashmir" label="Kashmir" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="weddings" label="Weddings" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="women" label="Women" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Nusrat Ara<br />
-<em>Indian-administered Kashmir</em>- </p>

<p><br />
Shazia Akhtar and her family have been preparing for months for her wedding. The family has saved for years for the big day. With marriages in Kashmir getting more expensive, the burden seems to be getting bigger and bigger, especially for parents of a daughter. </p>

<p>The gold jewellery and other household gifts given to the bride and gifts to the family members and relatives of the groom form the major part of the expenses. Other bridal gifts, the trousseau, and the grand feast on the wedding day are also major expenses.<br />
</p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/womenjewellerykashmir.html" onclick="window.open('http://thewip.net/contributors/womenjewellerykashmir.html','popup','width=325,height=244,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/womenjewellerykashmir-thumb.jpg" width="325" height="244" alt="" /></a><br /><strong>• </strong>Women buying jewellery at a roadside stall in Kashmir. Photograph courtesy of the author.<strong> •</strong></a></div>“The jewellery purchased for me by my parents cost around 10-12 lacs (approximately 23,000 – 27,000 USD) while the jewellery purchased for my groom and his family cost them 5 lacs (11,500 USD),” says Akhtar.

<p>Akhtar is worried that with things becoming costlier, it is impossible to get a daughter married these days. “The list is getting longer with time, as lifestyles are changing and people are getting more materialistic.” </p>

<p>“I have seen many girls get married very late because their parents haven’t finished saving for their marriages or collecting enough things for them,” says Akhtar, citing the example of her cousin whose parents did not try to get her married on time because they lacked resources. By the time they were ready, she had passed the desirable age. According to Akhtar, they are still looking for a match for her.</p>

<p>Even though dowry is not a Muslim custom, it has become a norm in Kashmir, which some blame on the Hindu influence on the region. The story is so familiar to me. Again and again, I hear similar tales from my friends and relatives. Education, social status, and religious abhorrence are no deterrent. Its growing presence and acceptance is leading to problems in the society, which are sometimes extreme.      </p>

<p>On November 6, 2011, Shazia Majeed was found hanging in her home. A top student from Kashmir University, Majeed worked as a librarian at the Islamic University of Science and Technology. According to her father, she was murdered by her husband and was a victim of dowry and domestic violence. Her husband constantly pressured her to bring more money from her family to build a separate house for them to live away from her in-laws.</p>

<p>Along with three other friends, Nadeem Qadiri, a lawyer and a social activist, organised a protest for Majeed, which brought out a large number of women and other members of civil society. </p>

<p>The invitation read, “There are many Shazias living in our society. They may be on the brink of being murdered or committing suicide. It is the moral responsibility of society to rise up to the occasion and make sure that justice be assured to Shazia, and at the same time show support towards those unfortunate women who are still facing violations.”  </p>

<p>Sumaira Jan, a resident of Srinagar, married her cousin Bilal Ahmad Pandit some four years ago. She was murdered last May, allegedly by Pandit and her in-laws. Her father, Farooq Ahmad Khan, told me the problems with the in-laws on dowry issues began soon after marriage.</p>

<p>“For the first few months everything was alright. Then they asked her to sell her jewellery to buy a piece of land for them. She resisted, and as a result, they created problems for her on different pretexts,” says Khan. </p>

<p>“She was staying with us for quite some time and had gone to attend a family function from her in-laws’ side in the afternoon. And in the evening, I rushed over to find her dead, drenched in blood in her bedroom,” adds Khan. Her husband, who is in police custody, has admitted to murdering her. </p>

<p>A few years back, Sumaira had approached the State Commission for Women, a government body meant to protect women’s rights. “Her husband and his family agreed to start a new life in front of the officials, but things never really changed for [Sumaira],” says Khan. </p>

<p>Shamim Firdous, chairperson of the State Commission for Women, says, “We receive cases of women where the in-laws demand cars, motorbikes, TVs, land, or cash from towns, villages, or far-flung areas. The in-laws torture them if their demands are not met and threaten them with divorce.”</p>

<p>The State Commission for Women (SWC) receives a number of complaints related to matrimonial disputes. Whatever the nature of complaints, the roots of all, says Hafiza Muzaffar, Secretary of SWC, lie in dowry. </p>

<p>According to the National Crime Records Bureau, out of the 8,391 cases of dowry-related deaths in India in 2010, nine were reported in Jammu and Kashmir. In 2009 there were 12 dowry deaths in Kashmir. These are only the reported cases. There are no figures for those that go unreported.</p>

<p>Muzaffar’s experience has led her to believe that parents give dowry because they feel if they do not give anything, their daughter will not be respected in her in-laws’ place. It is this expectation which leads a girl and her parents to stretch their resources, making things difficult for themselves.   </p>

<p>Muzaffar says that this is an alarming situation, as the prevalence of dowry is rising every day. “Islam prohibits dowry. Despite Kashmir being a Muslim-dominated state, we give [dowry] because of the fear that our daughters will not be treated well. It is a fear psychosis, and definitely, she is not being treated well.”</p>

<p>Dowry is prohibited, and laws have been enacted to punish the guilty. Under the Jammu and Kashmir Dowry Restraint Act (India), a person can be booked and punished for taking or giving dowry. But the situation on the ground tells a different story.</p>

<p>“The legislation is there but it isn’t implemented. People are giving dowry, no one is stopping them,” says Muzaffar. </p>

<p>According to Muzaffar, women are afraid to go to a court of law as there is a stigma attached to it. “Even educated and independent women avoid the court. They think, ‘what will people say?’ and feel too shy to get help.” </p>

<p>Ghulam Nabi Bhat, a resident of Pulwama, married off his daughter some years back with fanfare, but had no idea of what was following. “After marriage, her in-laws started demanding a car, a plot of land, and other things,” says Bhat.<br />
 <br />
Bhat now wants divorce for his daughter, who is staying with her parents, but the in-laws are refusing to return the dowry. He has filed a case with the Women’s Commission, where he is pleading for a quick disposal of the dispute.</p>

<p>“We even got a Shariat court recommendation that women are entitled to the entire dowry, but they are not relenting,” says Bhat. </p>

<p>Islam provides for mandatory <em>Mehr</em>, which is the amount of dowry money paid by the groom to the bride at the time of marriage, or <em>nikah</em>. This amount belongs to the bride and she can do whatever she wants with it. Moreover, any gifts from the groom’s side are considered the personal property of the bride. </p>

<p>Shakira Yousuf, a lecturer, believes religious awareness on the issue, as Islam prohibits dowry, is required to fight the menace, along with strict implementation of laws. </p>

<p>The situation on the ground appears bleak - men do not want to displease their parents while women do not want to create problems for theirs. But the situation will not change unless the men and women who are the actual participants in a marriage initiate a change. Things will only look up when the groom says no to accepting dowry and the bride declines to give one.   </p>

<p><a href="https://twitter.com/share" class="twitter-share-button" data-count="horizontal" data-via="thewip">Tweet</a><script type="text/javascript" src="//platform.twitter.com/widgets.js"></script></p>

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<p><strong>ABOUT THE AUTHOR:<br />
Nusrat Ara</strong> is a freelance journalist based in Indian-administered Kashmir who is interested in covering issues that have gone underreported in the media. She holds a postgraduate degree in Mass Communication and Journalism from the University of Kashmir and is a contributor to the <a href="http://www.wings.org/" target="_blank">Women International News Gathering Service</a> (Canada), as well as <a href="http://www.kashmirnewz.com" target="_blank">Kashmir Newz</a>, a Srinagar-based online news content provider. She also reports for <em>The Press Institute</em> and has also worked with various local English dailies in Srinagar. In 2008 Nusrat was awarded a Sanjay Ghose Media Fellowship. <br />
</p>]]>
   </content>
</entry>
<entry>
   <title>SXSW 2012 Film Festival: Documentary Report</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/03/sxsw_2012_film_festival_docume.html" />
   <id>tag:thewip.net,2012:/contributors//4.161189</id>
   
   <published>2012-03-24T19:35:32Z</published>
   <updated>2012-03-30T23:51:42Z</updated>
   
   <summary>by Jessica Mosby -USA- The annual South by Southwest film, interactive, and music festivals are one of the highlights of...</summary>
   <author>
      <name>Jessica Mosby</name>
      
   </author>
         <category term="Arts &amp; Culture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="artsculture" label="Arts &amp; Culture" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="documentary" label="Documentary" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="film" label="Film" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="southbysouthwest" label="South by Southwest" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Jessica Mosby<br />
-<em>USA</em>-</p>

<p><br />
The annual <a href="http://sxsw.com/">South by Southwest</a> film, interactive, and music festivals are one of the highlights of my year. In 2011 I attended South by Southwest for the first time, and while I had fun, being a novice was often a bit distressing. I generally felt that I had to do everything, even when it was not physically possible. I would lament that I missed this film or that event, completely overlooking the fact I had spent days in dark theaters watching four or five films in straight succession. </p>]]>
      <![CDATA[<div class="caption" style="width:180px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/sxsw2012.html" onclick="window.open('http://thewip.net/contributors/sxsw2012.html','popup','width=180,height=180,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/sxsw2012-thumb.jpg" width="180" height="180" alt="" /></a></div>This being my second year at SXSW, I was committed to go with the flow. When stressed or anxious about the choices and decisions, I consoled myself by eating at one of Austin’s many delicious food trucks, often writing almost as much about food as I did about the films I was watching. SXSW combines these two loves at the Alamo Drafthouse theaters where you can order food and drinks that are then delivered to your seat during the movie. It is really quite brilliant!

<p>Although I saw so many great films at SXSW this year, it is the documentaries that really stand out. The following five are my favorites. Each film is unique, well-done, and thought-provoking. Home from Austin for almost a week now, I am still thinking about these films and recommending them to anyone who will listen.</p>

<p align=center><a href="http://thewip.net/contributors/Brooklyn%20Castle.html" onclick="window.open('http://thewip.net/contributors/Brooklyn%20Castle.html','popup','width=550,height=309,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Brooklyn%20Castle-thumb.jpg" width="550" height="309" alt="" /></a><BR><strong>• </strong><em>Rochelle, age 13, the top girl on I.S. 318’s chess team in the film Brooklyn Castle. Photo courtesy of the filmmakers.</em><strong> •</strong></p>

<p><em><a href="http://www.brooklyncastle.com/">Brooklyn Castle</a></em><br />
<em>Brooklyn Castle</em> is my favorite documentary of SXSW. A documentary featuring kids working hard and succeeding when the odds are against them is my kind of documentary. I just love to feel inspired for 101 minutes! New York City’s I.S. 318, an inner city intermediate school with a poverty rate close to 70 percent, has overcome being “school in need of improvement” through the power of chess. Devoted teachers and administrators work after hours to tutor the chess team on strategy, organize trips to tournaments, and mentor kids who take any loss particularly hard. While there are some amazing chess players on the team, filmmaker Katie Dellamaggiore also profiles students who struggle academically and use chess to improve their grades, concentration, and self-esteem. At I.S. 318, there is room for everyone on the team. The honesty between the adults and students is admirable. Teachers and chess coaches do not baby or falsely inflate the students’ egos. The only way to become a better chess player is to work hard and study. While tragedy almost strikes with the current economic downtown jeopardizing the chess program, the school scrambles to makeup the funding. The larger message of <em>Brooklyn Castle</em> is that a relatively small amount of money allocated to public schools can transform kids’ lives, and cutting that money endangers otherwise bright futures.</p>

<p align=center><a href="http://thewip.net/contributors/kitchen_dreamsofalife.html" onclick="window.open('http://thewip.net/contributors/kitchen_dreamsofalife.html','popup','width=550,height=367,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/kitchen_dreamsofalife-thumb.jpg" width="550" height="367" alt="" /></a><BR><strong>• </strong><em>Joyce Vincent's kitchen as featured in the documentary Dreams of a Life. Photograph courtesy of the filmmakers.</em><strong> •</strong></p>

<p><em><a href="http://dreamsofalife.com/">Dreams of a Life</a></em><br />
The story documented in <em>Dreams of a Life</em> is literally my greatest fear: To die alone and not be found for years. The 90-minute documentary is like the plot of a crime drama TV show, but without the tidy resolution. Joyce Vincent died alone in her London apartment in 2003 at the age of 38 while watching TV and wrapping holiday presents. When she was found three years later the TV was still on! For those intervening years, none of her friends, coworkers, or large family came looking for her. Her apartment was located in a busy part of the city, and Vincent did not live a hermitic life. Filmmaker Carol Morley tries to solve this bizarre and tragic case by featuring extensive interviews with friends and coworkers. While there are no real answers, the case is fascinating. Vincent was a complicated and secretive woman who kept people at an arm’s length. The character study that emerges does not solve the case, but challenges the viewers to think about their own lives and the lives of people they think they know.</p>

<p align=center><a href="http://thewip.net/contributors/Eating%20Alabama.html" onclick="window.open('http://thewip.net/contributors/Eating%20Alabama.html','popup','width=550,height=366,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Eating%20Alabama-thumb.jpg" width="550" height="366" alt="" /></a><BR><strong>• </strong><em>Filmmaker Andrew Beck Grace on set in Eating Alabama. Photo courtesy of the filmmakers.</em><strong> •</strong></p>

<p><em><a href="http://www.eatingalabama.com/">Eating Alabama</a></em><br />
Eating locally for one year has almost become clichéd. It seems that there is always some new foodie starting a blog or tweeting about efforts to eat locally. Most live in places like Northern California, with abundant farmers markets, and where this is no real challenge. I therefore approached Andrew Beck Grace’s 62-minute film with some skepticism. Grace and his wife, both native Alabamans, returned to their home state with mixed emotions. After looking to their individual genealogy and romanticizing their predecessors’ agricultural livelihoods, Grace and his wife challenged themselves to eat locally for one year. But Alabama is not California. Eating locally is actually very challenging, time-consuming, and expensive. The story that emerges is as much about a couple reintegrating themselves into the community of their home state after a self-imposed absence, as it is about the state of mechanized agriculture in Alabama. The days of the family farmer growing diversified crops and living off the fruits of their bounty is sadly an archaic relic of simpler time. But Grace meets a number of young farmers who want to return to eating off the land and recreate a sense of community. <em>Eating Alabama</em> is as much about the food Grace ate as the people he met while buying and growing that food.</p>

<div class="caption" style="width:213px; float:left;" ><a href="http://thewip.net/contributors/The%20Source.html" onclick="window.open('http://thewip.net/contributors/The%20Source.html','popup','width=213,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/The%20Source-thumb.jpg" width="213" height="325" alt="" /></a><BR><strong>• </strong>The Source Family founder and leader Father Yod (aka Jim Baker). Photo courtesy of the filmmakers.<strong> •</strong></div>

<p><em><a href="http://thesourcedoc.com/">The Source</a></em><br />
Full disclosure: I love documentaries about cults, particularly if they are set in the 1970s. There was no way I could not see <em>The Source</em>. The 105-minute film by Jodi Wille and Maria Demopoulos chronicles the rise and fall of the Source Family. At its height the Los Angeles-based group had 140 members; most were young and attractive, and all proclaimed their devotion to Father Yod (real name: Jim Baker). The Source Family operated a hip LA restaurant, appropriately called the Source Restaurant, and recorded 65 psychedelic albums in their home studio. Everyone in the group changed their name taking on a unique first name (Electricity, Isis, etc), the middle name “the,” and the last name “Aquarian.” The Source Family embodied every stereotype about left-leaning Californians in the 1970s. Unlike many famous cults, the Source Family did not end in tragedy. Rather, everyone slowly disbanded after Father Yod’s death. Wille and Demopoulos weave the extensive archival footage (the family had an official historian) with current interviews of former members. <em>The Source</em> does not romanticize the group, but rather creates a realistic portrait of why people chose to join the family, and how that experience continues to affect their lives decades later.</p>

<p align=center><a href="http://thewip.net/contributors/WONDER%20WOMEN.html" onclick="window.open('http://thewip.net/contributors/WONDER%20WOMEN.html','popup','width=550,height=309,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/WONDER%20WOMEN-thumb.jpg" width="550" height="309" alt="" /></a><BR><strong>• </strong><em>Two Wonder Woman fans. Photo courtesy of the filmmakers.</em><strong> •</strong></p>

<p><em><a href="http://wonderwomendoc.com/">WONDER WOMEN! The Untold Story of American Superheroines</a></em><br />
I am always excited to see a film with a strong feminist message. Kristy Guevara-Flanagan’s 65-minute documentary <a href="http://wonderwomendoc.com/">WONDER WOMEN! The Untold Story of American Superheroines</a> fits that bill. The documentary explores the creation, evolution, and legacy of America’s most famous female superhero: Wonder Woman. Guevara-Flanagan does a great job condensing the history of Wonder Women while paying special attention to her fans. Comics were generally a male-dominated genre where women were portrayed as waiting around to be saved by the male superhero, but that formula was challenged when Wonder Woman appeared on the comic scene in the 1940s. Her creation was directly linked to the elevated role of women in order to keep America running during World War II. But just like the women who were sent home when the men returned from WWII and reclaimed their jobs, Wonder Woman has not always been written as a tough as nails broad out to save the day. She has gone through a number of transformations that mirror the fluctuating status of women in American society. The continued relevance of Wonder Woman’s legacy, especially in the lives of young girls, makes <em>WONDER WOMEN! The Untold Story of American Superheroines</em> a documentary worthy of attention.</p>

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<p><strong>About the Author:<br />
Jessica Mosby</strong> is a writer and critic living in Oakland, California. In the rare moments when she's not traveling across the United States for work, Jessica enjoys listening to public radio, buying organic food at local farmers markets, trolling junk stores, and collecting owl-themed tchotchke.</p>]]>
   </content>
</entry>
<entry>
   <title>Inflation in Kenya Drives Women to Commercial Sex Work </title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/03/inflation_in_kenya_drives_wome.html" />
   <id>tag:thewip.net,2012:/contributors//4.160808</id>
   
   <published>2012-03-21T07:01:01Z</published>
   <updated>2012-03-24T20:12:01Z</updated>
   
   <summary>by Rachel Muthoni -Kenya- With the current inflation in Kenya, the number of Commercial Sex Workers (CSW) in Nakuru, the...</summary>
   <author>
      <name>Rachel Muthoni</name>
      
   </author>
         <category term="Economy" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="commercialsexworkers" label="Commercial Sex Workers" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="economy" label="Economy" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="femalegenitalmutilation" label="Female Genital Mutilation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="inflation" label="Inflation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="kenya" label="Kenya" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="women" label="Women" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Rachel Muthoni<br />
<em>-Kenya-</em></p>

<p><br />
With the current inflation in Kenya, the number of Commercial Sex Workers (CSW) in Nakuru, the capital of the most populated Rift Valley province, is rising steadily – a trend that began after the 2007-2008 post-election violence.</p>

<p>The dangers CSWs are exposing themselves to range from HIV infection to mistreatment by clients and other workers. Karen Gakii, 22, will never forget the ordeal she underwent at the hands of her fellow CSWs.</p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Karen%20Gakii.html" onclick="window.open('http://thewip.net/contributors/Karen%20Gakii.html','popup','width=325,height=244,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Karen%20Gakii-thumb.jpg" width="325" height="244" alt="" /></a><br /><strong>• </strong>Karen Gakii, Commercial Sex Worker who was mutilated by her collleagues in Nakuru, Kenya. Photo by Rachel Kibui.<strong> •</strong></a></div>I learned Gakii’s story from a nurse and met her shortly after her release from the Rift Valley Province General Hospital. Gakii had come to Nakuru three years ago to work as a domestic worker. Lacking a job in Meru, Eastern Kenya, she left home to make ends meet. But mistreatment by her employer and poor pay forced her to opt for one of the world’s oldest professions.

<p>“I was introduced to the ‘job’ by a neighbour, who also came from Meru. She told me I would make more money that what I was earning as house help,” says the mother of one son.</p>

<p>True to her advisor’s words, Gakii made an average of KES279 (USD 3.40) per night while working as a CSW along Gusii road in Nakuru’s Central Business District. This was four times what she was paid per day as a domestic worker.</p>

<p>“I had never dreamt of working as a CSW, but my parents in Meru demanded that I send money for my son’s upkeep, yet I earned too little.”</p>

<p>For close to two years Gakii would sustain herself and send home some money. While at work, Gakii was introduced to four other women from Meru who also worked as CSWs in Nakuru. The group would often meet at the junction between Nehu Pandit and Gusii roads.</p>

<p>“Every one of us had regular clients, but sometimes we served new ones. The regular ones were from around here while the new ones were mostly visitors from other towns,” says Gakii.</p>

<p>She says her colleagues were unhappy that she got more clients and often accused her of using love potions to woo clients. But it was not until she served a colleague’s regular client that Gakii would face the wrath of her life.</p>

<p>“They all turned against me. My colleagues swore to teach me a lesson,” she tells me.</p>

<p>Somehow Gakii’s colleagues had learned that Gakii had not undergone Female Genital Mutilation (FGM), a practice still rampant among the Meru tribe. “One day they drugged me with a drink, carried me to a lodge in Kivumbini slums, and mutilated me,” says Gakii. “I woke up the following day. The only thing I remember was taking a drink with my colleagues. I was bleeding furiously.”</p>

<p>It took Gakii two weeks to seek medical attention. By the time she went to the hospital, the infection had spread. “Doctors told me my condition was very bad and I risked losing my uterus. I regret having served that client although he paid me KES 492 (USD 6). I have spent much more on treatment,” she tells me.</p>

<p>Mary Masinde* is also still nursing injuries she suffered at the hands of her client. I was informed about her experiences by sources within the Kenya Police and met her at her home in the Kwa Rhoda slums.</p>

<p>Masinde’s client, a banker, picked her up along Gusii Road and took her to a relatively high-class hotel. After negotiation, they agreed she would be paid KES 984 (USD 12) in the morning.</p>

<p>“Normally I charge KES 189.29 (USD 2.30) for a night but sometimes I increase the price judging by the type of client,” says Masinde. “This one had a good car and also took me to an expensive hotel.”</p>

<p>In the morning when Masinde asked for her pay, the client drove her to an Automated Teller Machine. He withdrew cash and drove towards Eldoret. “I kept asking for my money but he only gave me KES 189.29 (USD 2.30) instead of the amount we had agreed on,” says Masinde.</p>

<p>Near the Ngata Bridge, he slowed down and pushed her out of the car. Masinde was left nursing a hand fracture and a badly bruised body.</p>

<p>“I will still go back to the CSW job. This is the only way I get food for my two children,” she says.</p>

<p>The Peer Counseling Department at the Catholic Diocese of Nakuru (CDN), which deals with rehabilitation of CSWs, blames the government for the increase in twilight women. “If the government created jobs for women, then most of the CSWs in Nakuru would not be in the streets,” says Vincent Omollo, the program coordinator.</p>

<p>According to Omolo, who has been working in this department for 10 years, the last five years have seen the number of CSWs swell rapidly in Nakuru, Molo Gilgil, Naivasha, and Kampi Samaki in Baringo. Poverty, he says, is the bottom line of what drives most women to join the trade.</p>

<p>“The situation is so bad that even high school girls confess to getting involved in commercial sex to raise school fees and earn pocket money,” says Omollo. Such girls, he says, attend school during the day and ‘work’ at night. Some are even their family’s breadwinners with most of them coming from slums.</p>

<p>Most CSWs, Omollo says, prefer to be referred to as single mothers. This way, they try to justify the fact that they are involved in commercial sex to feed their children.</p>

<p>While the CDN advises CSWs on the dangers of their job, Omollo says the challenge lies in giving them an alternative means of livelihood. “Most of them are willing to leave the commercial sex trade if they are funded for an alternative source of income, but sometimes we are faced by financial constrains to fund such projects.”</p>

<p>According to Omollo, about 60 Nakuru CSWs have benefited from the program and have been helped to start businesses.</p>

<p>While Nakuru District Commissioner Kangethe Thuku admits to having received the report on the rise in numbers of CSWs, the government has yet to do anything about curbing the situation. “I am planning to discuss the issue with the Security Committee to see how the women can be arrested and charged before court,” he told me.</p>

<p>Thuku advises CSWs to reform, form groups, and take advantage of the Women Enterprise Fund offered by the Ministry of Gender and Children Affairs. Such women will be taken to a government hospital for HIV testing, treatment, and counseling.</p>

<p>Thuku blames inflation and the fast growth of the town of Nakuru for the increase in CSWs. The government has already started several projects to fight poverty, especially among women. Under the Women Enterprise Fund, women are funded to start businesses and given a grace period of three months to repay at an interest of eight percent.</p>

<p>While poverty may surely be blamed for increased prostitution in this region, women also need to become creative and active. They need to learn that there are better, more decent ways of earning a living.</p>

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<p><strong>Rachel Muthoni</strong> is a Kenyan journalist. She holds an International Diploma in Journalism and Media Studies and has worked in international and local media for the last seven years. She is pursuing a bachelors degree in Communications and would like to tell many stories about under privileged people to change their lives for the better.</p>]]>
   </content>
</entry>
<entry>
   <title>Imagine: A Conversation with OVO’s Artist Director Marjon Van Grunsven </title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/03/a_conversation_with_ovos_artis.html" />
   <id>tag:thewip.net,2012:/contributors//4.160554</id>
   
   <published>2012-03-18T02:28:59Z</published>
   <updated>2012-03-21T17:33:49Z</updated>
   
   <summary>by Alexandra Marie Daniels Arts and Culture Editor “What’s your dream?” she asks. I look at my friend Marjon across...</summary>
   <author>
      <name>Alexandra Marie Daniels</name>
      
   </author>
         <category term="Arts &amp; Culture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="artsandculture" label="Arts and Culture" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="cirquedusoleil" label="Cirque du Soleil" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="womeninthearts" label="Women in the Arts" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Alexandra Marie Daniels<br />
<em>Arts and Culture Editor</em></p>

<p><br />
“What’s your dream?” she asks.</p>

<p>I look at my friend Marjon across the table at the little café on Second Avenue, where we regularly go for an affordable bowl of pasta and a glass of wine after work. It is 1997 in New York City, and she is waiting for my reply. I am embarrassed to respond. My face feels flushed to even contemplate my dreams and goals.</p>

<p>I fumble and take a long drag off my cigarette avoiding the question. “I’m not really sure. What is your dream?”</p>

<p>“I want to be in Cirque du Soleil.”<br />
</p>]]>
      <![CDATA[<div class="caption" style="width:265px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/OvoPoster.html" onclick="window.open('http://thewip.net/contributors/OvoPoster.html','popup','width=265,height=321,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/OvoPoster-thumb.jpg" width="265" height="321" alt="" /></a><br /></div>Fourteen years later Marjon and I have long lost touch. It is January, 2011 and I am sitting at my kitchen table in Los Angeles, California drinking a cup of tea and listening to NPR’s Elizabeth Blair report on the trust of trapeze artists in Cirque du Soleil. An unmistakable, warm and lyrical Dutch voice explains, “A flying act is built on trust - but first, each artist needs individual strength and training.”

<p>Instantly I remember our conversation and smile, raising my tea mug to toast the little red radio on the shelf. “Well done, Marjon. Dreams do come true!” Marjon Van Grunsven is the Artistic Director of <em>OVO</em>, Cirque du Soleil’s 25th production. Written and directed by Deborah Colker, <em>OVO</em> is the first Cirque du Soleil with a female director and reflects her native Brazil. Brilliant costuming by Liz Vandal (imagine colorful abstractions but not literal representations of Arthropod life - crickets, ants, spiders, a passionate ladybug) and a musical score by Berna Ceppas combine the sounds of bossa nova and samba with funk and electronic music to complete this ecosystem of colorful energy and life. The name <em>OVO</em>, egg in Portuguese, in itself looks like an insect with the O’s for eyes and the V, a nose. </p>

<p>Currently touring North America before heading to Australia next summer, <em>OVO</em> is in Los Angeles, California until March 25.  </p>

<p>In Cirque du Soleil’s warm family kitchen, next to the trademark Cirque blue and yellow “grand chapiteau,” I meet my old friend Marjon. I recognize immediately that Cirque du Soleil is a community. The kitchen feels like the central nervous system of the larger Cirque body teeming with partially costumed <em>OVO</em> performers (which of course make me think of molting reptiles), crew members and, to my surprise, children.<br />
 <br />
This community has become Marjon’s home - the company, her family. We sit down at an empty table happy to acknowledge that almost fifteen years hasn’t changed either of our appearances much. I ask her if she remembers our conversation years earlier at the café on Second Avenue. She smiles, “I do remember. I tell that in almost every interview that I do.” </p>

<p align=center><a href="http://thewip.net/contributors/Ants%20%28Foot%20juggler%20%26%20Icarian%20games%2911_Photo%20B%20OSA%20Images-Costumes%20Liz%20Vandal-2009%20Cirque%20du%20Soleil_1.html" onclick="window.open('http://thewip.net/contributors/Ants%20%28Foot%20juggler%20%26%20Icarian%20games%2911_Photo%20B%20OSA%20Images-Costumes%20Liz%20Vandal-2009%20Cirque%20du%20Soleil_1.html','popup','width=550,height=367,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Ants%20%28Foot%20juggler%20%26%20Icarian%20games%2911_Photo%20B%20OSA%20Images-Costumes%20Liz%20Vandal-2009%20Cirque%20du%20Soleil_1-thumb.jpg" width="550" height="367" alt="" /></a><BR>
<strong>• </strong><em>Ants (Foot juggler & Icarian games) Picture credit: OSA Images. Costume credit : Liz Vandal © 2009 Cirque du Soleil.</em><strong> •</strong></p>

<p>Cirque du Soleil first inspired Marjon in 1996 when she attended a New York City performance of <em>Alegría</em>. “I was mesmerized by the fusion of the costumes, the music, for sure the acts, but what I loved was…the technicians working together with the artists…It was such a beautiful feeling…for a number to never end but flow flawlessly into the next.” She paused and smiled again, “Yes, that was my dream and I have been so lucky in my life.”</p>

<p>How does this happen that your dream fourteen years later is a reality? She shares her path and I note that gratitude and respect for others are common themes. “I remember auditioning [for Cirque du Soleil] and I was already super happy that they didn’t cut me right away. I always got very far and then at the very end there were like four people left and they only needed two.” </p>

<p>In 2000, Marjon returned to Europe, residing in Paris for a period before re-establishing her roots and her dance company Memento in The Netherlands. She opened Memento Bodyworks studio for Pilates - Body Therapy and Performing Arts.  While her company and career took off, she maintained correspondence with former teachers and mentors who had helped her along the way. </p>

<p>In 2007, a former teacher, Ria Martins, who had left Holland twelve years earlier to join Cirque du Soleil, contacted Marjon. “They need someone at Cirque and I’ve recommended you. Would you be interested? It’s only for three months.” </p>

<p>Though Marjon had just opened her own studio, bought a house and settled down, she replied, “Oh my god, this is my dream coming true!” </p>

<div class="caption" style="width:127px; float:left;" > <a href="http://thewip.net/contributors/Marjon-1.html" onclick="window.open('http://thewip.net/contributors/Marjon-1.html','popup','width=127,height=191,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Marjon-1-thumb.jpg" width="127" height="191" alt="" /></a><br /><strong>• </strong>Marjon Van Grunsven, Artistic Director of <em>OVO</em>, Cirque du Soleil’s 25th production.<strong> •</strong></a></div>Marjon joined Cirque du Soleil and began her adventure. 

<p>Continually amazed and thankful for her life and career, she describes the role of Artistic Director as the person who guards the “artistic integrity” of the show’s creators. Because of the longevity of a touring show – Big Top shows can run 10 to 12 years – she works consistently to maintain the show and make it better. </p>

<p>“My daily life, my week, or my year consists of managing 66 people… what I have to do is watch the show, give notes, decide where there are moments in the show where I don’t feel that magic any more, then I call a rehearsal, so there is a lot of planning.”<br />
 <br />
Keeping everyone inspired, Marjon also acts as ear, listening to problems. “This is their life, they travel with their family, so sometimes I’m like their mom, sometimes I’m like their director, sometimes I’m a sister or an enemy or a friend or an advisor. It’s a big role.” The <em>OVO</em> cast consists of 55 performers from 14 different countries.</p>

<p>Casting insects for<em> OVO</em> was a creative endeavor in itself.  When Deborah Colker decided she wanted insects such as ants, crickets, and spiders, a creative team had to decide which Cirque performers matched these types of creatures. As an example Marjon shares, “If you think about a cricket who can jump three times its own height and then you think about what Cirque artists can do, you think of trampolinists that can jump…so they became our crickets.” </p>

<p>As another example, she explains, “ants work, they are energetic, they are cute, they are fast, they always work, so somebody in Cirque said… what do you think of foot jugglers?” </p>

<p>Marjon proudly shares that many of the performers had never been in a theater production before. Instead they came from Olympic backgrounds, competitions, and sports. “My role is to help them become an artist.” </p>

<p>She helps the performers understand their importance on stage by working with them individually. “Sometimes I would take one out and say, ‘I would like you to watch tonight.’ They would come back to me and say ‘oh my god, I had no idea that if I would be there, by that light, that is what I would look like.’" In this way Marjon believes that each performer co-creates the individual role.</p>

<p align=center><a href="http://thewip.net/contributors/Finale%205_Photo%205%20OSA%20Images-Costumes%20Liz%20Vandal-2009%20Cirque%20du%20Soleil_1.html" onclick="window.open('http://thewip.net/contributors/Finale%205_Photo%205%20OSA%20Images-Costumes%20Liz%20Vandal-2009%20Cirque%20du%20Soleil_1.html','popup','width=550,height=367,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Finale%205_Photo%205%20OSA%20Images-Costumes%20Liz%20Vandal-2009%20Cirque%20du%20Soleil_1-thumb.jpg" width="550" height="367" alt="" /></a><BR>
<strong>• </strong><em>Finale. Picture credit: OSA Images. Costume credit: Liz Vandal © 2009 Cirque du Soleil.</em><strong> •</strong></p>

<p>As it nears 4PM, and the first of the day’s two performances, I ask Marjon about all the happy children I see running about. She explains that they have an onsite school because approximately 26 children travel with the company. “Our red spider has a beautiful little son, so her husband travels with us.” </p>

<p>Lois Yaroshefsky, an onsite teacher, walks by our table and Marjon introduces us. She tells me that she is teaching English to a group of six Chinese girls. “One of the things I do - and I did it with the boys on <em>Iris</em>, I did it with the kids on <em>Totem</em> - is I teach them the song “Imagine” by John Lennon. I go through the whole thing where I explain to them who The Beatles are because they don’t know at all, they have never heard of The Beatles. They have come from a communist country and it is a whole different thing. So I explain that, and then I explain what peace is…I go through the whole thing of what happened to John Lennon…and then we sing the song and they get it. And then I give them this analogy, ‘what [Lennon] wanted is very much what Cirque du Soleil is. It is the only place that I know…that has what John Lennon wanted which is all these people from all over the world, everybody working together, living together, performing together.”</p>

<p>For twenty-seven years Cirque du Soleil has brought together people from around the world. I think John Lennon would be happy to see this community; and as I walk up the boardwalk and back to my car, I am happy to see my friend living her dream and thriving in such a sustainable, loving community.    </p>

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<p><br />
<strong>About the Author:<br />
Alexandra Marie Daniels</strong> is a writer, dancer, and filmmaker. She has made three films with the director Bernard Rose, including <em>The Kreutzer Sonata</em> (2008) and <em>Mr. Nice</em> (2010) and has worked with the director Martyn Atkins as a script supervisor on concerts such as <em>Eric Clapton and Steve Winwood: Live from Madison Square Garden</em> and <em>The Crossroads Guitar Festival 2010</em>. Alexandra is The WIP's Arts, Culture, and Media Editor.<br />
</p>]]>
   </content>
</entry>
<entry>
   <title>Despite Profits, Beer Companies Do Not Provide Living Wage For Cambodian Promoters </title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/03/despite_profits_beer_companies.html" />
   <id>tag:thewip.net,2012:/contributors//4.160221</id>
   
   <published>2012-03-13T14:51:57Z</published>
   <updated>2012-03-18T03:44:31Z</updated>
   
   <summary>by Michelle Tolson -Cambodia- Entertainment venues are very popular in Cambodia. They are well supplied with beer and young women...</summary>
   <author>
      <name>Michelle Tolson</name>
      
   </author>
         <category term="Economy" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="abuse" label="Abuse" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="alcoholism" label="Alcoholism" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="beer" label="Beer" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="cambodia" label="Cambodia" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="commercialsexwork" label="Commercial Sex Work" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="multinationalcorporations" label="Multinational Corporations" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="protest" label="Protest" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="strike" label="Strike" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="violenceagainstwomen" label="Violence Against Women" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="workersrights" label="Worker&apos;s Rights" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Michelle Tolson<br />
-<em>Cambodia</em>-</p>

<p><br />
Entertainment venues are very popular in Cambodia. They are well supplied with beer <em>and</em> young women to serve it. Karaoke clubs and beer gardens are frequented by Khmer men who expect women to sit and drink with them. This can result in beer sellers drinking an average of five drinks a night according to independent researcher <a href="http://www.fairtradebeer.com/reportfiles/greenandlubek2010.pdf">Ian Lubek</a>. All this occurs despite <a href="http://www.bsic.com.kh/index.php?option=com_content&view=article&id=13&Itemid=27">assurances</a> from beer companies that beer sellers are not expected to drink on the job. </p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/Beer%20Union3.html" onclick="window.open('http://thewip.net/contributors/Beer%20Union3.html','popup','width=325,height=244,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Beer%20Union3-thumb.jpg" width="325" height="244" alt="" /></a><br /><strong>• </strong>July, 2011 strike against Cambrew/Angkor Beer. Photograph courtesy of Cambodia Food and Service Workers' Federation.<strong> •</strong></a></div>NGOs and other organizations have done much research on women working in entertainment venues in Cambodia and the range of workplace issues that result from women working for low pay in an environment with heavy alcohol use. Sex work, for example, often becomes a parallel world for beer promoters. To meet their financial obligations, about half of these women perform sex work at a rate of about 25 USD per night according to Lubek. According to the <a href="http://www.ilo.org/wcmsp5/groups/public/---asia/---ro-bangkok/documents/genericdocument/wcms_165487.pdf">2011 International Labor Organization (ILO) report</a>, the number of women crossing into sex work is actually much higher - a phenomenon attributed to client expectations coupled with low salaries in entertainment work.

<p>A decade ago, Cambodia was in the midst of an HIV crisis. HIV rates peaked at over 42 percent for brothel-based workers and 18 percent for entertainment workers, according to the National Center for HIV/AIDS, Dermatology, STD (NCHADS) Cambodia. Local men switched from brothels to entertainment venues for sex because the latter was perceived as less risky. Sexual health education campaigns spearheaded by NGOs advocating strict condom adherence brought HIV rates down in both groups. Unofficial statistics from health workers in Siem Reap suggest rates dropped to under five percent by 2008 in brothel and entertainment workers. </p>

<p>However, bonded labor, the previous HIV epidemic, and problems of trafficking became cause for the U.S. State Department to pressure the Cambodian government into signing the 2008 Law of Suppression of Trafficking, closing brothels and driving brothel-based workers into entertainment venues, effectively ending the harm-reduction campaigns. The financial crisis of 2008 also resulted in the closure of numerous garment factories, displacing thousands of women, many of whom moved into the entertainment industry. According to the ILO, 21,000 women moved into entertainment work between 2008 and 2009, increasing competition and keeping wages as low as 35 USD a month. These drivers have shifted the landscape of sex work and entertainment, creating a situation where women are less able to negotiate for fair wages. </p>

<div class="caption" style="width:325px; float:left;" > <a href="http://thewip.net/contributors/Beer%20Union.html" onclick="window.open('http://thewip.net/contributors/Beer%20Union.html','popup','width=325,height=244,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/Beer%20Union-thumb.jpg" width="325" height="244" alt="" /></a><br /><strong>• </strong>July, 2011 strike against Cambrew/Angkor Beer. Photograph courtesy of Cambodia Food and Service Workers' Federation.<strong> •</strong></a></div>
Current wages for entertainment workers do not meet their minimum needs.  As one beer promoter relayed in the Cambodian Food and Service Workers’ Federation’s (CFSWF) educational video: “I get such small wages and cannot support my family’s living from having to spend money on daily food, children’s tuition fee, and rent.”

<p>The issue of alcohol dependence has not been addressed as much as HIV prevention has. Lubek reported that women drank on average five drinks a night, 27 nights a month, which has a greater impact on Cambodian women due to their smaller stature and lower BMI. The ILO reports that some women drink as much as 12 cans of beer a night. According to Lubek, there is a risk of fetal alcohol syndrome developing in the offspring of entertainment workers. </p>

<p>Violence against women working in entertainment is also endemic. Women have reported being followed home, being raped, and having guns pulled on them in clients’ pursuit of sex. Women that become mistresses to married clients have had acid thrown on them by angry wives. </p>

<p>One beer seller revealed, “Some people don’t value beer promoters as they call us <em>Srey Lang Se</em> (derogatory for ‘beer girl’). Even neighbors have talked, looking down on me, and some clients do not value me, even though spots are shown on TV to not discriminate against beer promotion workers.”</p>

<p>In contrast to the dangers and low wages entertainers experience, beer companies and entertainment venues are experiencing record profits. There is no industry association for entertainment venues, making profits difficult to verify, but CFSWF has taken note of the constant growth of these businesses. The <em>Phnom Penh Post</em> on January 17, 2012 <a href="http://www.phnompenhpost.com/index.php/2012011753964/Business/beer-makers-binge-on-ad-spend.html?utm_source=google&utm_medium=cpc&utm_campaign=product">reported</a> that advertisements by beer companies in Cambodia topped 17.6 million USD by December of 2011. Over 90 percent of beer sales within Cambodia come from major players such as Heineken/Asia-Pacific Breweries, Carlsberg, Anheuser-Busch/InBev, SAB-Miller, and San Miguel - multinational beer companies making millions of dollars a year in the Asia-Pacific region according to annual reports. </p>

<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/beer%20garden1.html" onclick="window.open('http://thewip.net/contributors/beer%20garden1.html','popup','width=325,height=244,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/beer%20garden1-thumb.jpg" width="325" height="244" alt="" /></a><br /><strong>• </strong>Anti-violence poster in Cambodian 'beer garden' to protect beer promoters. Photograph courtesy of the author.<strong> •</strong></a></div>In 2010, AB/InBev group – headquartered in Leuven, Belgium – reported gross profits of 759 million USD for the Asia-Pacific Region. San Miguel, originating in the Philippines, reported overall gross profits of 97 million USD. Also in 2010, Heineken in Amsterdam (and its subsidiary APB, in Singapore) recorded revenues of 269 million USD for Asia, and Carlsberg in Denmark earned 733 million USD in Asia. 

<p>Yet, despite these profits, beer companies do not provide a living wage for beer salespeople. During a successful July, 2011 strike against Cambrew/Angkor Beer, a Cambodian company partially owned by Carlsberg, CFSWF recorded an impassioned speech from a beer seller: “I am very angry! Some outlet owners discriminate and say that beer promotion workers depend only on a strike. They do not understand our suffering. Our way of living is not appropriate.”</p>

<p>Cambrew, now operating their own in-house union – Trade Union Personnel Worker’s Progressive of Angkor Beer – has used intimidation to get women to withdraw their membership from CFSWF. The Cambrew union also claimed responsibility for the beer promoters <a href="http://www.fairtradebeer.com/reportfiles/Protest2011/pdfs/CambrewtoPayOvertimetoBeerGirlsonMondayPPP30Aug2011.pdf">back pay victory</a> of an extra two dollars a day for beer sellers working Sundays and holidays as their own, although they were formed after CFSWF’s strike. </p>

<p>Mora Sar, president of CFSWF, is happy that workers have received compensation but would like Cambrew and Carlsberg to recognize CFSWF’s union. “[On February 23,] I sent a notice for union election for the fourth mandate, but they reject to sign to show that they have received our notification. This attitude shows clearly that Cambrew and Carlsberg continue to discriminate against unions and abuse workers’ rights. This attitude is unacceptable and we will fight for our rights.” </p>

<p>Cambrew continues to fire its female workers without legal cause for simply standing up for their rights and is also starting to use short-term contracts, following the lead of garment factories whose contracts now last a few months. </p>

<p>These are hurdles workers in the informal economy endure as they unionize to get safer working conditions and fair pay. The Solidarity Center, located in Washington, D.C., <a href="http://solidaritycenter.org/content.asp?contentid=1329">reported</a> in December of 2011 that workers in this sector throughout the world – including maids, migrant farm workers, and taxi drivers – often risk losing jobs when standing up to illegal situations as they lack the protection afforded the formal sector.</p>

<p>Demanding accountability from publicly traded international corporations is an important step in improving local working conditions, not only for beer sellers, but also for karaoke dancers, singers, and hostesses hired by the venues, who are also expected to drink with men.</p>

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<p><strong>Michelle Tolson</strong> works and travels between Asia and the United States. She has an MSc in Social Psychology from the London School of Economics and Political Science. Michelle has written several articles for <em>The UB Post</em>, an English newspaper in Ulaanbaatar, Mongolia about gender violence, civil society initiatives, and cultural topics.<br />
</p>]]>
   </content>
</entry>
<entry>
   <title>Lilian Mogiti Nyandoro, Anti-FGM Crusader, Liberates Maasai Women and Girls</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/03/lilian_mogiti_nyandoro_antifgm.html" />
   <id>tag:thewip.net,2012:/contributors//4.159538</id>
   
   <published>2012-03-06T00:42:11Z</published>
   <updated>2012-03-13T15:40:45Z</updated>
   
   <summary>by Joyce J. Wangui -Kenya- Though the name Lilian Mogiti Nyandoro may not mean much to those in Nairobi where...</summary>
   <author>
      <name>Joyce J. Wangui</name>
      
   </author>
         <category term="Politics" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="femalegenitalmutilation" label="Female Genital Mutilation" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="kenya" label="Kenya" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="womensrights" label="Women&apos;s Rights" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Joyce J. Wangui<br />
<em>-Kenya-</em></p>

<p><br />
Though the name Lilian Mogiti Nyandoro may not mean much to those in Nairobi where she is based, in a small village in Kimana, Oloitoktok District her name speaks volumes. She has demystified the female gender. She has helped local women regain their dignity and brings smiles to their faces. </p>

<p>In this region, women had always succumbed to male patriarchy. The practice of Female Genital Mutilation (FGM) had been an accepted norm, but not anymore. Lilian has ensured that men and women alike are slowly abandoning the barbaric act. Girls in the area praise the anti-FGM crusader and her organization for rescuing them from the knife. As the world marked the International Day of Zero Tolerance to FGM on February 6, an elated group of Maasai women could not hide their appreciation for this unsung heroine. </p>]]>
      <![CDATA[<div class="caption" style="width:243px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/pic1.html" onclick="window.open('http://thewip.net/contributors/pic1.html','popup','width=480,height=640,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/pic1-thumb.JPG" width="243" height="325" alt="" /></a><br /><strong>• </strong>Victim of FGM and early marriage. Photo courtesy of the author<strong> •</strong></a></div>According to the World Health Organisation (WHO), the practice of FGM includes all procedures that involve partial or total removal of the external female genitalia, or other injury to the female genital organs for non-medical reasons. FGM is linked to increased complications in childbirth and even maternal deaths. Other side effects include severe pain, hemorrhage, tetanus, infection, infertility, cysts and abscesses, urinary incontinence, and psychological and sexual problems. Since the early 1990s, FGM has gained recognition as a health and human rights issue.

<p>In Oloitoktok, the practice is commonplace. The area is predominantly inhabited by the Maasai tribe, a people internationally known for their strong sense of culture. Save for a few, the Maasai has defied all forms of modern influence, including the need for basic health education. FGM is common practice and locals have sadly accepted it as a way of life. Maasai men breathe patriarchy with women believing that an uncircumcised girl is ‘dirty’ and not fit for marriage, and despite the health hazards, underage girls face the knife in order to acquire some form of identity in the community. The act is as traumatic as it is painful. </p>

<p>But all is not gloom. One woman’s quest to liberate women from the forces of doom is slowly bearing fruit. Lilian believes that one day all defiant Maasai will abandon the age-old custom. And after the historic anti-FGM bill was signed into law by Kenya’s President in October last year, they have no choice. The law reads in part that “Anyone caught circumcising a girl will from now henceforth be considered a criminal. Should the girl die from this act, mainly from bleeding, [the culprit] will be considered a murderer and is liable to life imprisonment.”</p>

<div class="caption" style="width:243px; float:left;" ><a href="http://thewip.net/contributors/pic3.html" onclick="window.open('http://thewip.net/contributors/pic3.html','popup','width=480,height=640,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/pic3-thumb.JPG" width="243" height="325" alt="" /></a><br /><strong>• </strong></a>One of ABANTU's workshops facilitated by Lilian. Photo courtesy of the author.<strong> •</strong></a></div>Through her organization ABANTU for Development, a local NGO that promotes gender equality in marginalized communities, Lilian focuses on gender and governance issues and ensures that women embrace leadership from community to national levels. She talks to Maasai women in such a manner that they understand the role of leadership and the positive impact it will have in their own transformation. She has gone out of her way to make sure that illiterate women understand the new constitution.

<p>“When you are dealing with women who have never stepped in a classroom, you have to be very humble and not chest-thump,” says Lilian, who admits that it has been an uphill task to train women, a great percentage of whom are illiterate. But her passion for women’s empowerment helps her to be patient with them.</p>

<p>I accompanied her team to Kimana where she was conducting a workshop on women in governance. Women walk as far as 30 kilometers to get a taste of her training. Since ABANTU’s presence in the area in March 2009, locals have been very receptive. Lilian has taken them through the new constitution, focusing on the clauses that call for the rights of women.</p>

<p>“At last somebody has heard our plight. Our girls can now go to school and run away from FGM,” says Esther Apale, one of the trainees. She believes that Maasai women are able to identify with Lilian not only because she is a woman, but also because she understands their needs.</p>

<p>Apale, who heads an NGO that rescues girls from FGM, shares that the local community has come to understand the dangers of the act and has since embraced change. “You know, with Lilian, she has been able to penetrate through to our men and implore them to stop the vice.”</p>

<p>Mary Kahingo, the only female Assistant Chief in the area, describes Lilian as a humble and charismatic woman. “Somehow, she is able to pull the crowd, including men.” In the Maasai culture, it is unheard of for a woman to address men. “Lilian talks to men with ease and they are able to implement what they learn.” This, however, has not been a walk in the park and getting to that point was frustrating.</p>

<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/pic4.html" onclick="window.open('http://thewip.net/contributors/pic4.html','popup','width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/pic4-thumb.JPG" width="325" height="243" alt="" /></a><br /><strong>• </strong>The author (right) interviewing Mary Kahingo, Assistant Chief. Photo courtesy of the author.<strong> •</strong></a></div>“When I started training men on the need to embrace women’s empowerment and to stop FGM, I was not married and this did not auger well with them,” Lilian says adding that Maasai men regard unmarried women with a lot of disrespect. 

<p>“I had to humble myself and at the same time be wise. I told them the negative effects associated with the ‘female cut’ not only for the girl child but also for the man she is forced to marry.”</p>

<p>She pleaded with Maasai men to stop seeing their women as useless and engage them in leadership forums.</p>

<p>Lilian tells me that the gender and good governance unit of ABANTU is where her heart is at. “I feel at home under this program. I go to the field, access issues, and train women on leadership and development, and at the end of it all, I see the results.” </p>

<p>Though the road to women’s emancipation in the area has been rough, she rejoices that tremendous changes are taking place and women are beginning to see their worth in the community. Many Maasai women are gearing up for the forthcoming general elections, as they now fully understand the need to be leaders.</p>

<p>Why Oloitoktok? “This is where retrogressive cultural traditions like FGM and early marriages are commonplace,” Lilian says. The belief stems from a cultural background where men call the shots, even in matters that directly involve women.</p>

<div class="caption" style="width:243px; float:left;" ><a href="http://thewip.net/contributors/pic2.html" onclick="window.open('http://thewip.net/contributors/pic2.html','popup','width=480,height=640,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/pic2-thumb.JPG" width="243" height="325" alt="" /></a>
<br /><strong>• </strong> Henry Kanai giving his views on FGM. Photo courtesy of the author.</a> <strong> •</strong></a></div>In Maasai culture, it is unthinkable for a woman to address men, let alone look them in the eye. Lilian says she had to deal with male opinion leaders first in order to get to women. She admits that it takes a thick skin and concrete strategies when dealing with a people who do everything pegged on culture. Even the locals marvel at how one woman, with the help of her organization, could eventually trounce the rigid cultural norms and pave the way for women’s liberty.

<p>Joseph Komite, a community sensitizer hired by ABANTU to champion the organisation’s mission in the area, lauds ABANTU for transforming Maasai women. “Women need to be pushed, not just mobilized.” He says that as a Maasai man, he doesn’t need to stay mired in his culture and inhibit women’s empowerment, and, “If anything I am a top campaigner of anti-FGM, something which my peers find weird.” </p>

<p>Henry Kanai, chairman of a cattle group ranch in the area, laughs out loud when I ask him if he would have his daughters circumcised. “All my daughters are educated and none have gone through the cut,” he boasts. He says the locals’ interaction with Lilian has opened them up to accepting new ideas.</p>

<p>Lilian, a law graduate from Moi University, knew her passion lay in the civil society domain. She says in the NGO world, it is more about giving than receiving. She has given her time and energy to villagers who never knew that circumcising girls was not only a crime but also hazardous. Lilian has vowed to continue with her fight to liberate women from cultural and traditional belief systems that are inimical to the sexual and reproductive rights of women.</p>

<p>What keeps Lilian going is seeing instant results. “I feel content when I see Maasai women empowering their girls and rescuing them from FGM.” In a short period, she says, local women have become leaders. </p>

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<p><strong>About the Author:<br />
Joyce J. Wangui</strong> is a freelance journalist based in Nairobi, Kenya and writes for various online media agencies. She earned a Diploma in Mass Communication in 2002, and started her media career in Rwanda in early 2003 where she worked as a senior political reporter for The New Times, a state-owned English newspaper. Joyce is an active member of <a href="http://www.highwayafrica.ru.ac.za">Highway Africa</a>; an annual gathering of African journalists in South Africa and the Deutsche Welle Global Media forum held in Bonn, Germany. She is currently pursuing a one-year correspondence degree in International Journalism.</p>]]>
   </content>
</entry>
<entry>
   <title>21st Century Teens, 15th Century Albanian Law: Joshua Marston’s The Forgiveness of Blood</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/02/21st_century_teens_15th_centur.html" />
   <id>tag:thewip.net,2012:/contributors//4.158829</id>
   
   <published>2012-02-24T08:01:00Z</published>
   <updated>2012-03-06T19:01:27Z</updated>
   
   <summary>by Alexandra Marie Daniels -USA- Through the lens of average teenage eyes, The Forgiveness of Blood captures the contradictions that...</summary>
   <author>
      <name>Alexandra Marie Daniels</name>
      
   </author>
         <category term="Arts &amp; Culture" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="albania" label="Albania" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="artsculture" label="Arts &amp; Culture" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="films" label="Films" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="kanun" label="Kanun" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="tradition" label="Tradition" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Alexandra Marie Daniels<br />
<em>-USA-</em></p>

<p><br />
Through the lens of average teenage eyes, <em>The Forgiveness of Blood</em> captures the contradictions that have hindered Albania’s post-communist development. Specific in context yet universal in theme, Joshua Marston (director of the highly acclaimed 2004 film <em>Maria Full of Grace</em>) has created a high quality artistic production - that educates and powerfully brings us closer to the possibility that, just maybe, as cultures we are not as different as we often like to think. </p>]]>
      <![CDATA[<div class="caption" style="width:219px; float:right; margin-left:10px; text-align:right;" <a href="http://thewip.net/contributors/fob-poster_280x415%20%282%291.html" onclick="window.open('http://thewip.net/contributors/fob-poster_280x415%20%282%291.html','popup','width=219,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/fob-poster_280x415%20%282%29-thumb.jpg" width="219" height="325" alt="" /></a></a></div>Opening on February 24, 2012, <em>The Forgiveness of Blood</em> tells the story of Nik (Tristan Halilaj), a typical teenage boy. Fumbling awkwardly around his feelings for a young beauty at school and his future plans of opening an internet café in the Northern Albanian village where he lives, his dreams are crushed in an instant when a land dispute involving his father and uncle results in a neighbor’s death. According to a 15th century legal code, the <em>Kanun</em>, Nic’s family must pay retribution by never leaving their home. Nik and his little brother are targeted and risk their lives if they go outside. His sister Rudina (Sindi Laçej) must take over the father’s bread route to bring in income for the family. 

<p>For many, <em>The Forgiveness of Blood</em> will seem implausible in the 21st century. Yet for Albanians, Nik’s story is sadly far from uncommon. Currently, there are more than 2,800 Albanian families stuck in deadly blood feuds. Since the collapse of communism, the <em>Kanun</em> is creating a modern day dilemma. While only one blood feud killing was recorded during the 40 years of communist leadership, more than 9,500 Albanian males have been killed since 1992. The country is suffering from pride and tradition. Families are turned upside down. Futures and finances are threatened as the children can longer go to school and the fathers can no longer earn a living. </p>

<p>Recently I had the opportunity to interview Joshua Marston and learned that his inspiration for the film was from reading about these present day Albanian families stuck inside their houses. “I was struck by the contradiction,” he explained, “the juxtaposition between the traditional and the modern.” </p>

<p>Marston went on to fully immerse himself in his research. He read books, studied the language, and obtained a printed copy of the <em>Kanun</em> to read “the old laws.” Simultaneously, doors opened. “By virtue of telling people, when they [asked] ‘oh what are you working on? People would inevitably say, ‘oh I know someone who is Albanian,’ which was pretty unexpected.” He remarked that up to this point, he didn’t know anyone from Albania. During one of these instances Marston met his co-writer Andamion Murataj, an Albanian born filmmaker who had been living in the United States for fifteen years. </p>

<p>To best understand what the experience of modern day confinement was like, Marston travelled with Murataj to Albania in 2009. They met families living in isolation, teachers who homeschooled them, and mediators who negotiated the feuds. Through conversations with Albanian teenagers, Marston began to understand what it is like to grow up in Albania today. He chose to cast non-professional teenagers in the film and accessed their talent through improvisation and by tapping into what he describes as “universal emotions.” He shared, “on the face of it, you wouldn’t think that Albania had anything to do with your own life experience in the United States.” Marston took on the challenge to “make something that is specific and fascinating and maybe even removed from our daily experience and at the same time universal and relatable.”</p>

<div class="caption" style="width:325px; float:left;" ><a href="http://thewip.net/contributors/FOB%201.html" onclick="window.open('http://thewip.net/contributors/FOB%201.html','popup','width=325,height=216,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/FOB%201-thumb.jpg" width="325" height="216" alt="" /></a><br /><strong>• </strong> Nik (Tristan Halilag) sits on the roof in Josh Marston’s <em>FORGIVENESS OF BLOOD</em>. Photo by Anila Jaho. A Sundance Selects release.</a> <strong> •</strong></a></div> Experiencing “one of those rare moments that felt like a lightening bolt, the movie came into being all at once in my head, of a story about a teenager who is completely modern… and then things go wrong and he is forced inside the house.” Marston asked himself the question, “What would happen if a kid was using a cell phone or playing a video game in his house because he was stuck in his house, because of a traditional blood feud?” As in reality, the film’s characters are living 21st century lives complete with smart phones, Facebook, video games and satellite television. The choice to tell the story from the point of view of a teenager, allowed Marston to illustrate fully this contrast between 21st century lives stuck in a 15th century culture. 

<p>Both in the film and in our conversation, I was fascinated by what Marston described as “this strange, unexpected gender reversal whereby because the women and girls are not targeted, they end up having to go out of the house, work, and support the family.” This phenomenon inspired the director to include the parallel storyline of Nik’s sister Rudina. </p>

<p>From working with the Albanian teens, Marston developed Rudina’s character. At one point, while listening to the girls complain about not being able to go to parties without their father’s and sometimes brother’s permission, he experienced “a crisis as a filmmaker” fearing that his subject matter was not specific to Albania. He thought, “this is just teenagers complaining about not getting permission to go to parties,” but then realized that it is a bit more complicated. Despite common coming-of-age experiences, <em>The Forgiveness of Blood</em> has to do with “Albania being in a specific moment in history where it is transitioning still from the end of communism, and being very patriarchal.” Again, returning to the theme of contrast, “In some ways it’s completely specific and in some ways it’s completely universal.” </p>

<div class="caption" style="width:325px; float:right;" > <a href="http://thewip.net/contributors/FOB%2021.html" onclick="window.open('http://thewip.net/contributors/FOB%2021.html','popup','width=325,height=215,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/FOB%202-thumb.jpg" width="325" height="215" alt="" /></a><br /><strong>• </strong> Rudina (Sindi Lacej) in her father’s horse and cart in Josh Marston’s <em>FORGIVNESS OF BLOOD</em>. Photo by Anila Jaho. A Sundance Selects release. </a> <strong> •</strong></a></div>The girls Marston worked with did not hold back when describing the challenges of growing up in Albania today. “There was really a sense of these girls chaffing under the patriarchy of the culture.” When he asked “what is the most difficult thing about being a teenager in Albania today?’ the girls’ hands would often shoot up first. “They would rattle off some sentence in Albanian that I could more or less understand, always there was the word ‘mentality’ embedded in the sentence.” 

<p>Marston explains that obstacles were discovered that the writers would not have come up with on their own. “I realized after we had already constructed that story line that actually it wasn’t just about the burden of [the girl] having to make money for the family…When we wrote it we started thinking ok…what are the obstacles to her? She doesn’t know the bread route so she might get lost. She’s not familiar with the horse, so she might be intimidated by the horse. She might take too long and be criticized for arriving late, or she might have to take a different route in order to avoid where the murder happened, and so she gets slowed down. And in all of that it never occurred to either my co-writer or to me, that the main obstacle is that she is a girl and girls don’t do this. It wasn’t until I was working with [Sindi Laçej] and we started talking about what it was that would be scary to her, that I realized that it was <em>the fact of being a girl</em>, out on the streets alone doing man’s work.”  </p>

<p>The juxtaposition of traditional and modern, of freedom and captivity, is visually illustrated through Rob Hardy’s cinematography. Nik challenges his experience of confinement by building a gym on his roof and stepping out onto the porch. Protected by a dark, box-shaped horse cart, Rudina ventures out into the unknown. These experiences are represented emotionally - often without dialogue - by contrasting indoor and outdoor spaces, light and dark. It was in these unspoken moments that I realized <em>The Forgiveness of Blood</em> is an entirely relatable human story of growing up amid challenges we cannot control.</p>

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<p><br />
<strong>About the Author:<br />
Alexandra Marie Daniels</strong> is a writer, dancer, and filmmaker. She has made three films with the director Bernard Rose, including <em>The Kreutzer Sonata</em> (2008) and <em>Mr. Nice</em> (2010) and has worked with the director Martyn Atkins as a script supervisor on concerts such as <em>Eric Clapton and Steve Winwood: Live from Madison Square Garden</em> and <em>The Crossroads Guitar Festival 2010</em>. Alexandra is The WIP's Arts, Culture, and Media Editor.<br />
</p>]]>
   </content>
</entry>
<entry>
   <title>Facebook Game ‘Angry Brides’ Trivializes Grave Human Rights Violation</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/02/facebook_game_angry_brides_tri.html" />
   <id>tag:thewip.net,2012:/contributors//4.158511</id>
   
   <published>2012-02-22T08:01:00Z</published>
   <updated>2012-02-24T17:27:42Z</updated>
   
   <summary>by Rita Banerji -India- • The Facebook game &quot;Angry Brides.&quot; •I am on a Google alert for “dowry,” a practice...</summary>
   <author>
      <name>Rita Banerji</name>
      
   </author>
         <category term="Politics" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="dowry" label="Dowry" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="feticide" label="feticide" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="gendercide" label="Gendercide" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="hatecrime" label="hate crime" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="india" label="India" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="infanticide" label="infanticide" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="violenceagainstwomen" label="Violence against women" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Rita Banerji<br />
-<em>India</em>-</p>

<p><br />
<div class="caption" style="width:301px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/angrybrides.html" onclick="window.open('http://thewip.net/contributors/angrybrides.html','popup','width=301,height=325,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/angrybrides-thumb.jpg" width="301" height="325" alt="" /></a><br /><strong>• </strong>The Facebook game "Angry Brides."<strong> •</strong></a></div>I am on a Google alert for “dowry,” a practice that is recognized as one of the underlying causes of India’s female genocide/gendercide. Recently there was an avalanche of ‘dowry’ alerts as Indian and foreign media eagerly reported on the new Facebook game, <a href="http://www.facebook.com/shaadicom?sk=app_293631520675443">“Angry Brides,”</a> launched by the private Indian marriage bureau Shaadi.com. Players are invited to throw things like virtual shoes and tomatoes at grooms demanding dowry. Every time a dowry-demanding groom is hit, the dowry amount is lowered. </p>

<p>What I find appalling is how media reports depict “Angry Brides” as a commendable way to raise “social awareness.” The Vice President of Shaadi.com is <a href="http://www.ndtv.com/article/world/angry-brides-taking-a-swing-at-the-practice-of-dowry-168128&cp">quoted</a> as calling “Angry Brides” an “innovative” plan to get more customers and engage with them about “the nuisance of dowry.” While the corporate giant Shaadi.com, with its base of 20 million customers, is recognized among the world’s top 50 most innovative companies, the term “nuisance” grossly understates the actual impact of the practice of dowry.  <br />
</p>]]>
      <![CDATA[<p>Dowry, which the government of India outlawed 50 years ago, has become the most widespread and lethal weapon of criminal extortion and violence against Indian women across all class and economic strata in India.  Grooms’ families force brides’ families to pay exorbitant sums to seal the wedding arrangements. The monetary demands continue unceasingly years after the wedding, often with sustained violence and abuse inflicted on the bride and threats to her life.  </p>

<p>As illogical as it is for the brides’ families to comply, they do so because the fear of social stigma from a broken-off engagement or divorce is so deeply embedded in the Indian psyche. Even education and wealth do not seem to dispel the fear.  <br />
            <br />
The inhuman and systematic violence on women is ultimately the most grisly impact of the custom of dowry. Every year, thousands of young married women are subject to all forms of abuse and violence by their husbands and in-laws in their attempts to extract more wealth from the women and their families. Dowry among the wealthier in India includes demands for luxury cars, houses and expensive real estate, and high-end job placements. Thousands of women ultimately end up murdered when the money stops or is not enough.  </p>

<p>Thirty-one-year-old <a href="http://www.dnaindia.com/mumbai/report_dowry-drives-hdfc-manager-to-suicide-in-mumbai_1533488">Komal Cheda</a> was one of the thousands of Indian women who were victims of dowry extortion and violence last year. She was a manager at the HDFC bank, India’s second largest private sector bank, and a well-educated, sophisticated, urban woman, earning in India’s top 10 percentile. It was not enough to pay off her father-in-law’s loans and pay for her husband’s brother’s higher studies in the United States. When the demands for more and the abuse and violence from her husband and in-laws would not cease, Komal committed suicide to make it stop.</p>

<p>A study published in <em>The Lancet</em> last year <a href="http://www.time.com/time/world/article/0,8599,1882937,00.html">reported</a> that about 136,000 women are burnt to death in India every year, about one woman every five minutes. In a television discussion titled “Burning Women,” renowned Supreme Court lawyer Indira Jaisingh <a href="http://genderbytes.wordpress.com/2011/10/02/video-murder-by-fire-100000-women-a-year/">points out</a> how <em>The Lancet</em> report is not even close to the real numbers, given the numerous other ways – such as hanging, poisoning, and drowning – women are murdered for dowry in India.<br />
 <br />
Dowry-driven female gendercide gives rise to practices like female feticide and infanticide. Men and their families who extort dowry from women do not want daughters for whom they will have to pay dowry later. Daughters are eliminated en masse before they become women. Every year, scores of expectant mothers have repeated forced abortions, thus ridding India of millions of female fetuses. In villages of India, thousands of newborn girls are murdered, and female toddlers are starved or battered to death. The <a href="http://womennewsnetwork.net/2012/02/07/india-girl-infants-murder-femicide/">rate of mortality for girls</a> under six years is 75 percent  higher than for boys the same age.</p>

<p>It is very distressing that the media reports that laud “Angry Brides” do not think about the appropriateness of making a game out of one of the gravest human rights violations of this century, or the misogynistic implications of how the ‘game’ is set up.  What if we were trivializing the marginalization and killing of a group because of race, religion, or ethnicity? There is an underlying misogyny in India that needs to be acknowledged, just like we acknowledge the racism in race-based hate crimes, the killing of Tutsis in Rwanda, or the holocaust in Europe. </p>

<p>Newspaper articles make light of the underlying issues of violence and abuse in dowry cases with <a href="http://www.hindustantimes.com/technology/SocialMedia-Updates/Shaadi-com-launches-Facebook-game-Angry-Brides/SP-Article1-796716.aspx">statements</a> like, "With weapons like tomatoes, brooms, and heels, the men definitely need to look out." In fact, the picture of the ‘angry woman’ in the Facebook game is modeled after the Hindu Goddess, Durga, who is known to have defeated and slain the men (who are often characterized as 'demons') who attempted to molest and subjugate her.  The question that should be asked is, if the idea is to invoke the power and strength of Durga, then why has she been armed with such ridiculous substitute 'weapons' like tomatoes and brooms instead of her original sword, trident and thunderbolt? Or better yet, why not arm the "Angry Bride" with the laws and the Constitution of India, the modern weapons of safety and protection that Indian women are struggling to use, even in the face of immense apathy from the police and judiciary?  </p>

<p>It seems that Shaadi.com has a good reason to refer to the issue of dowry as a mere “nuisance,” and to set up their game not as an outright denunciation of dowry but more a negotiation of it. Perhaps it is because half their customers have daughters who could be potential victims of dowry, while the other half has sons and are the dowry demanders. A good business knows how to keep all its customers happy. </p>

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<p><strong>About the author:<br />
Rita Banerji </strong>is a writer, photographer, and gender activist. She is the founder of <a href="http://www.50millionmissing.info">The 50 Million Missing Campaign</a>, a global campaign that is fighting the ongoing female genocide in India. Her book <em><a href="http://sexandpower.wordpress.com/">Sex and Power: Defining History, Shaping Societies</a></em> came out in 2009. It was long-listed for the Vodaphone-Crossword Non- Fiction Book Award (India). The same year she also received The Apex Award for Magazine and Journal Writing (U.S.A.). Rita's vision for the future she thinks is somewhere in Beethoven’s 9th symphony! Visit her website <a href="http://www.ritabanerji.com">www.ritabanerji.com</a>.</p>]]>
   </content>
</entry>
<entry>
   <title>With Love and Respect, a Syrian Mom Dares Bashar</title>
   <link rel="alternate" type="text/html" href="http://thewip.net/contributors/2012/02/with_love_and_respect_a_syrian.html" />
   <id>tag:thewip.net,2012:/contributors//4.158001</id>
   
   <published>2012-02-14T17:51:09Z</published>
   <updated>2012-02-22T04:14:59Z</updated>
   
   <summary>by Aloosh Devrim -Syria- Sunk deep in thoughts, Rania sits alone in her dark room oblivious to the thumping of...</summary>
   <author>
      <name>Aloosh Devrim</name>
      
   </author>
         <category term="Politics" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="arabspring" label="Arab Spring" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="basharalassad" label="Bashar al-Assad" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="children" label="Children" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="mena" label="MENA" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="syria" label="Syria" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="women" label="Women" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://thewip.net/contributors/">
      <![CDATA[<p>by Aloosh Devrim<br />
-<em>Syria</em>-</p>

<p><br />
Sunk deep in thoughts, Rania sits alone in her dark room oblivious to the thumping of feet on the roof where neighbor’s children are playing. The screams of Yousaf, her three-month-old, and the ringing telephone simultaneously interrupt her thoughts. She carries the baby on one arm and takes the call with the other hand.</p>

<p>This is a phone call she has been waiting for all day long. As she boards this emotional roller-coaster, her husband Muthana gently takes Yousaf in his arms. <br />
</p>]]>
      <![CDATA[<div class="caption" style="width:325px; float:right; margin-left:10px; text-align:right;" ><a href="http://thewip.net/contributors/AmnestyLondon.html" onclick="window.open('http://thewip.net/contributors/AmnestyLondon.html','popup','width=500,height=334,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://thewip.net/contributors/AmnestyLondon-thumb.jpg" width="325" height="217" alt="" /></a><br /><strong>• </strong>Participant in Amnesty International’s <a href="http://amnestymena.posterous.com/middle-east-and-north-africa-global-day-of-ac">Global Day of Action</a> on February 11, 2012. London, UK. Photograph courtesy of Flickr user <a href="http://www.flickr.com/photos/amnestylondon/">amnestylondon</a> and used under a <a href="http://creativecommons.org/licenses/by-nc-nd/2.0/">Creative Commons</a> license. <strong> •</strong></a></div>Rania talks on phone for almost for an hour. She screams and cries. Muthana watches her from a distance after calming Yousaf down until he eventually sleeps. Rania sits for a while on the sofa then leaves the room with wet eyes.  

<p>“I can do nothing about her state of mind. I comfort her and pray. She is caught in two emotional worlds,” Muthana explains to me. </p>

<p>Rania lives with her husband and their only child in a posh Damascus suburb. Nothing makes her happy since her family was forced to flee the violence in Syria three months ago. With limited international dialing facility, Rania awaits their call daily, even though the poor financial situation only allows them to telephone her once a week.<br />
 <br />
Millions of Syrians, spread across the world, contact their families and loved ones back home with similar desperation. The killing of over 7,000 people at the hands of the state since March, 2011 has created an international outcry. </p>

<p>The Assad family annexed power in Syria in 1970 and has ruled the country with an iron fist. To curb a 1982 uprising in Hama, Hafiz Al-Assad used brute force and killed over 20,000 Syrians. The son, Bashar al-Assad, took office in 2000 after his father’s death and has proven equally harsh and dictatorial thus far. A sizeable number of Syrians quietly fled the country for a respectable and prosperous life.</p>

<p>"Please come and live here, the situation is scary in Syria,” Rania recalls her younger brother advising her over and over again during the telephone call. </p>

<p>“I tell him that you are crazy. I am going to lose my job at the insurance company, my newly-built home and someone may steal my car.”</p>

<p>Rania believes her exiled family can hardly make both ends meet. Like other employees, Rania got a notice that leaving the job once would disqualify her for any future opening in the same office.</p>

<p>After losing her father at the age of 20, carefree and fashion-loving Rania transformed herself into an ambitious and responsible person. She was born with the trait of sacrifice. She always supported her mother in bringing up her younger brother and two sisters. Rania refused to marry someone outside Syria as she never wanted to live away from her mom and siblings. </p>

<p>“More than their desire, it was Rania’s insistence that convinced my in-laws to head for Jordan before it became too hard to escape bandits of Bashar Al-Assad,” says Muthana as Rania offers Isha, the late evening, last prayer in a Muslim’s day. </p>

<p>Her husband speaks highly of Rania’s self respect. She preferred to self-off her jewelry instead of borrowing money from him. “I came to know only last week when I saw see Rania without her favorite earrings,” he explains. </p>

<p>Muthana feels Rania is in double agony now. Her brother keeps pressuring her to find a way to Jordan, while she has to stay with her husband and in-laws.</p>

<p>"I am not crying. I am only missing them and tears come without control,” she says while looking at Muthana, who tries to calm down the baby as he woke up to noise of rattling tanks outside.</p>

<p>"We can go to them if you like," Muthana tries once again to ease her nerves. Rania shakes her head in disapproval. </p>

<p>“How can I go to Jordan and leave him in harms’ way. The border police won’t let Muthana come along with me for he did not complete mandatory military service,” she says in a somber voice. Men who do not serve in the military are barred from leaving Syria and immigration officials check the citizens against regularly updated lists. </p>

<p>“I detested our armed forces and Bashar regime since my childhood in Hama,” Muthana quips.</p>

<p>Rania and Muthana’s family days of happiness are long gone. Last March, two cousins of Muthana went missing from Dara’a where they had gone to attend a wedding. Six weeks later, the disfigured bodies were found along a highway. </p>

<p>Muthana is a successful businessman dealing with imports from Lebanon and developing new housing facilities. Amid lowering imports, due to sanctions and a standstill housing sector, he still has to attend to the office. </p>

<p>“Until I hear his voice from the office landline, I can’t do a thing except pray for his safety,” Rania says, hastening to add that his office is in the heart of the city where risks of all sort abound. </p>

<p>Muthana adds, “She becomes normal a few hours after the call and feels guilty of stressing me and ignoring our son, but I understand the pain she has been going through.”</p>

<p>Rania regrets that she cannot give full attention to Yousaf and worries that he might be getting affected by her sad mood and neglect. </p>

<p>Spending a few hours with the couple it is evident they cannot watch TV together. Worried but composed, Muthana wants to update himself about the situation while Rania seeks escape in popular Turkish drama serials. </p>

<p>"Till now more over 7,000 have been killed but anyone in Syria can say the figure is an understatement," he tells me as his wife gets up to flip the channel. Muthana complains, but no one listens.</p>

<p>Muthana is hard hit by the sanctions while the regime continues to get money and weapons through its own means. “These sanctions from the world hurt us as people but do little harm to the regime,” he says in an ironic tone.</p>

<p>Rania interrupts him, saying, “His business in Damascus was so good only two years ago when we got married.” She says neither her husband nor her brothers-in-law has a good income now. </p>

<p>“Nobody knows where Bashar is taking Syria to,” the 26-year-old mom explains. This has pushed the small family to delete many things from their lives, like eating meat or using cars which have become too expensive after the shortage of fuel in Syria. </p>

<p>“My heart beats for love and I am living here only due to my responsibilities as a wife and a mother,” Rania says to herself. She hopes her son will be brave and live in a free and prosperous Syria.</p>

<p>Even if Rania agrees to leave for Jordan with Yousaf, Muthana’s conservative family will not agree. In traditional families in Syria, a wife has to stay with her husband to exhibit “loyalty and respect.” </p>

<p>Rania tells her husband, “To be fair to your mom, she once told me that I can leave for Jordan if conditions worsen further.” With tanks leveling residential areas and jets pounding the city squares, the situation looks far worse. But Rania will not leave her home and Muthana will have to live with his anxiety-ridden wife and the gory scenes all around. </p>

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<p><strong>About the Author:<br />
Aloosh Devrim</strong> is a journalist whose family struggled against Hafiz Al-Assad's rule and policies. She has traveled to the Americas, Europe, and the Middle East for her work.<br />
</p>]]>
   </content>
</entry>

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